name, and was particularly great in all that author's plays
that were usually performed, viz "Wasp," in _Bartholomew Fair_;
"Corbaccio;" "Morose," in _The Silent Woman_; and "Ananias," in _The
Alchemist_.--Chetwood.
C. Dibdin says none who ever saw W. Parsons (1736-1795) in "Corbaccio"
could forget his effective mode of exclaiming "Has he made his
will? What has he given me!" but Parsons himself says: "Ah! to see
'Corbaccio' acted to perfection, you should have seen Shuter. The
public are pleased to think that I act that part well, but his acting
was as far superior to mine as Mount Vesuvius is to a rushlight."
COR'BANT, the rook, in the beast-epic of _Reynard the Fox_ (1498).
(French, _corbeau_, "a rook.")
CORCE'CA _(3 syl_.), mother of Abessa. The word means "blindness of
heart," or Romanism. Una sought shelter under her hut, but Corceca
shut the door against her; whereupon the lion which accompanied Una
broke down the door. The "lion" means _England_, "Corceca"
_popery_, "Una" _protestantism_, and "breaking down the door" _the
Reformation_.--Spenser, _Faery Queen_, i. 3 (1590).
CORDAY (_Marie Anne Charlotte_), descendant of the poet Corneille.
Born in Normandy 1768. She killed the bloody Marat in the bath and was
guillotined for the deed, July, 1793.
CORDE'LIA, youngest daughter of King Lear. She was disinherited by her
royal father, because her protestations of love were less violent than
those of her sisters. Cordelia married the king of France, and when
her two elder sisters refused to entertain the old king with his
suite, she brought an army over to dethrone them. She was, however,
taken captive, thrown into prison, and died there.
Her voice was ever soft,
Gentle, and low; an excellent thing in woman.
Shakespeare, _King Lear_, act v. sc. 3 (1605).
CORFLAM'BO, the personification of sensuality, a giant killed by
Arthur. Corflambo had a daughter named Paea'na, who married Placidas,
and proved a good wife to him.--Spenser, _Faery Queen_, iv. 8 (1596).
CORIAT (_Thomas_) died 1617, author of a book called _Crudities_.
Besides, 'tis known he could speak Greek,
As naturally as pigs do squeak.
Lionel Cranfield, _Panegyric Verses on T. Coriat_
But if the meaning was as far to seek
As Coriat's horse was of his master's Greek,
When in that tongue he made a speech at length,
To show the beast the greatness of his strength.
G. Wither, _Abuses Stript and Whipt_ (1613).
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