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tions; and more and more will be done for this end. The Government has already admitted the Sanitary Commission into a sort of copartnership in the management of the army, and hereafter the principles of this excellent and useful association will be incorporated with, and become an inseparable part of, the machinery of war, to be conducted by the same hands that direct the movements of the armies, ever present and efficient to meet all the natural wants of the soldier, and to reduce his danger of sickness and mortality, as nearly as possible, to that of men of the same age at home. AN ARAB WELCOME. I. Because thou com'st, a tired guest, Unto my tent, I bid thee rest. This cruse of oil, this skin of wine, These tamarinds and dates, are thine: And while thou eatest, Hassan, there, Shall bathe the heated nostrils of thy mare. II. _Allah il Allah_! Even so An Arab chieftain treats a foe: Holds him as one without a fault, Who breaks his bread and tastes his salt; And, in fair battle, strikes him dead With the same pleasure that he gives him bread! ELIZABETH SARA SHEPPARD You ask from me some particulars of the valued life so recently closed. Miss Sheppard was my friend of many years; I was with her to the last hour of her existence; but this is not the time for other than a brief notice of her career, and I comply with your request by sending you a slight memorial, hardly full enough for publication. Elizabeth Sara Sheppard, the authoress of "Charles Auchester," "Counterparts," etc., was born at Blackheath, in England. Her father was a clergyman of unusual scholastic attainments, and took high honors at St. John's College, Oxford. Mr. Sheppard, on the mother's side, could number Hebrew ancestors, and this was the pride of his second daughter, the subject of this notice. Her love for the whole Hebrew race amounted to a passion, which found its expression in the romance of "Charles Auchester." Very early she displayed a most decided poetic predisposition,--writing, when but ten years old, with surprising facility on every possible subject. No metre had any difficulties for her, and no theme seemed dull to her vivid intelligence,--her fancy being roused to action in a moment, by the barest hint given either by Nature or Art. Her first drama was written at this early age; it was called "Boadicea," and was composed immediately after she had been shown a fiel
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