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me. In both cases there is the same necessity of idealization, the same tendency to personify the unknown. And it may be said that between Punch and Jupiter, Mother Hubbard and Venus, there is only a hair's breadth. CHAPTER XXIX HIS FIRST BREECHES The great desire in a child is to become a man. But the first symptom of virility, the first serious step taken in life, is marked by the assumption of breeches. This first breeching is an event that papa desires and mamma dreads. It seems to the mother that it is the beginning of her being forsaken. She looks with tearful eyes at the petticoat laid aside for ever, and murmurs to herself, "Infancy is over then? My part will soon become a small one. He will have fresh tastes, new wishes; he is no longer only myself, his personality is asserting itself; he is some ones boy." The father, on the contrary, is delighted. He laughs in his moustache to see the little arching calves peeping out beneath the trousers; he feels the little body, the outline of which can be clearly made out under the new garment, and says to himself; "How well he is put together, the rascal. He will have broad shoulders and strong loins like myself. How firmly his little feet tread the ground." Papa would like to see him in jackboots; for a trifle he would buy him spurs. He begins to see himself in this little one sprung from him; he looks at him in a fresh light, and, for the first time, he finds a great charm in calling him "my boy." As to the baby, he is intoxicated, proud, triumphant, although somewhat embarrassed as to his arms and legs, and, be it said, without any wish to offend him, greatly resembling those little poodles we see freshly shaven on the approach of summer. What greatly disturbed the poor little fellow is past. How many men of position are there who do not experience similar inconvenience. He knows very well that breeches, like nobility, render certain things incumbent on their possessor, that he must now assume new ways, new gestures, a new tone of voice; he begins to scan out of the corner of his eye the movements of his papa, who is by no means ill pleased at this: he clumsily essays a masculine gesture or two; and this struggle between his past and his present gives him for some time the most comical air in the world. His petticoats haunt him, and really he is angry that it is so. Dear first pair of breeches! I love you, because you are a faithful friend, and I
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