nd more particularly for you, that I
earnestly recommend it to your most serious care and attention. Mind your
diction, in whatever language you either write or speak; contract a habit
of correctness and elegance. Consider your style, even in the freest
conversation and most familiar letters. After, at least, if not before,
you have said a thing, reflect if you could not have said it better.
Where you doubt of the propriety or elegance of a word or a phrase,
consult some good dead or living authority in that language. Use yourself
to translate, from various languages into English; correct those
translations till they satisfy your ear, as well as your understanding.
And be convinced of this truth, that the best sense and reason in the
world will be as unwelcome in a public assembly, without these ornaments,
as they will in public companies, without the assistance of manners and
politeness. If you will please people, you must please them in their own
way; and, as you cannot make them what they should be, you must take them
as they are. I repeat it again, they are only to be taken by 'agremens',
and by what flatters their senses and their hearts. Rabelais first wrote
a most excellent book, which nobody liked; then, determined to conform to
the public taste, he wrote Gargantua and Pantagruel, which everybody
liked, extravagant as it was. Adieu.

LETTER XCIV

LONDON, December 9, O. S. 1749.

DEAR BOY: It is now above forty years since I have never spoken nor
written one single word, without giving myself at least one moment's time
to consider whether it was a good or a bad one, and whether I could not
find out a better in its place. An unharmonious and rugged period, at
this time, shocks my ears; and I, like all the rest of the world, will
willingly exchange and give up some degree of rough sense, for a good
degree of pleasing sound. I will freely and truly own to you, without
either vanity or false modesty, that whatever reputation I have acquired
as a speaker, is more owing to my constant attention to my diction than
to my matter, which was necessarily just the same as other people's. When
you come into parliament, your reputation as a speaker will depend much
more upon your words, and your periods, than upon the subject. The same
matter occurs equally to everybody of common sense, upon the same
question; the dressing it well, is what excites the attention and
admiration of the audience.

It is in parliament that