d, was standing
beside the horse, and did not perceive his master.
"Are you catching flies, fool?" said the latter, pushing him with his
cane. The servant turned round in confusion. "Sir," said he.
"Will you never learn to call me Monsieur le Baron, rascal?" cried his
master, in a rage--"Open the door directly!"
The lounger was Baron Tripeaud, the manufacturing baron the stock-jobber.
The poor hunchback was Mother Bunch, who had, indeed fallen with hunger
and fatigue, whilst on her way to Mdlle. de Cardoville's. The unfortunate
creature had found courage to brave the shame of the ridicule she so much
feared, by returning to that house from which she was a voluntary exile;
but this time, it was not for herself, but for her sister Cephyse--the
Bacchanal Queen, who had returned to Paris the previous day, and whom
Mother Bunch now sought, through the means of Adrienne, to rescue from a
most dreadful fate.
Two hours after these different scenes, an enormous crowd pressed round
the doors of the Porte-Saint-Martin, to witness the exercises of Morok,
who was about to perform a mock combat with the famous black panther of
Java, named Death. Adrienne, accompanied by Lord and Lady de Morinval,
now stepped from a carriage at the entrance of the theatre. They were to
be joined in the course of the evening by M. de Montbron, whom they had
dropped, in passing, at his club.
CHAPTER XII.
BEHIND THE SCENES.
The large theatre of the Porte-Saint-Martin was crowded by an impatient
multitude. All Paris had hurried with eager and burning curiosity to
Morok's exhibition. It is quite unnecessary to say that the lion-tamer
had completely abandoned his small taste in religious baubles, which he
had so successfully carried on at the White Falcon Inn at Leipsic. There
were, moreover, numerous tokens by which the surprising effects of
Morok's sudden conversion had been blazoned in the most extraordinary
pictures: the antiquated baubles in which he had formerly dealt would
have found no sale in Paris. Morok had nearly finished dressing himself,
in one of the actor's rooms, which had been lent to him. Over a coat of
mail, with cuishes and brassarts, he wore an ample pair of red trousers,
fastened round his ankles by broad rings of gilt brass. His long caftan
of black cloth, embroidered with scarlet and gold, was bound round his
waist and wrist by other large rings of gilt metal. This sombre costume
imparted to him an aspect still mo
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