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[He reads on silently, in horror; finishes, letting the paper drop, and recoils from the couch on to a chair at the dishevelled supper table. Aghast, he sits there. Suddenly he mutters:] If I leave that there--my name--my whole future! [He springs up, takes up the paper again, and again reads.] My God! It's ruin! [He makes as if to tear it across, stops, and looks down at those two; covers his eyes with his hand; drops the paper and rushes to the door. But he stops there and comes back, magnetised, as it were, by that paper. He takes it up once more and thrusts it into his pocket.] [The footsteps of a Policeman pass, slow and regular, outside. His face crisps and quivers; he stands listening till they die away. Then he snatches the paper from his pocket, and goes past the foot of the couch to the fore.] All my----No! Let him hang! [He thrusts the paper into the fire, stamps it down with his foot, watches it writhe and blacken. Then suddenly clutching his head, he turns to the bodies on the couch. Panting and like a man demented, he recoils past the head of the couch, and rushing to the window, draws the curtains and throws the window up for air. Out in the darkness rises the witch-like skeleton tree, where a dark shape seems hanging. KEITH starts back.] What's that? What----! [He shuts the window and draws the dark curtains across it again.] Fool! Nothing! [Clenching his fists, he draws himself up, steadying himself with all his might. Then slowly he moves to the door, stands a second like a carved figure, his face hard as stone.] [Deliberately he turns out the light, opens the door, and goes.] [The still bodies lie there before the fire which is licking at the last blackened wafer.] CURTAIN End of the Project Gutenberg EBook of The First and The Last (Six Short Plays), by John Galsworthy *** END OF THIS PROJECT GUTENBERG EBOOK FIRST AND LAST *** ***** This file should be named 2918.txt or 2918.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/2/9/1/2918/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns
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