t angularity is summarily destroyed at
birth. Some of our highest and ablest men, men of real genius, have
during their earliest days laboured under deviations as great as, or
even greater than, forty-five minutes: and the loss of their precious
lives would have been an irreparable injury to the State. The art of
healing also has achieved some of its most glorious triumphs in the
compressions, extensions, trepannings, colligations, and other surgical
or diaetetic operations by which Irregularity has been partly or wholly
cured. Advocating therefore a VIA MEDIA, I would lay down no fixed or
absolute line of demarcation; but at the period when the frame is just
beginning to set, and when the Medical Board has reported that recovery
is improbable, I would suggest that the Irregular offspring be
painlessly and mercifully consumed.
Section 8. Of the Ancient Practice of Painting
If my Readers have followed me with any attention up to this point,
they will not be surprised to hear that life is somewhat dull in
Flatland. I do not, of course, mean that there are not battles,
conspiracies, tumults, factions, and all those other phenomena which
are supposed to make History interesting; nor would I deny that the
strange mixture of the problems of life and the problems of
Mathematics, continually inducing conjecture and giving the opportunity
of immediate verification, imparts to our existence a zest which you in
Spaceland can hardly comprehend. I speak now from the aesthetic and
artistic point of view when I say that life with us is dull;
aesthetically and artistically, very dull indeed.
How can it be otherwise, when all one's prospect, all one's landscapes,
historical pieces, portraits, flowers, still life, are nothing but a
single line, with no varieties except degrees of brightness and
obscurity?
It was not always thus. Colour, if Tradition speaks the truth, once
for the space of half a dozen centuries or more, threw a transient
splendour over the lives of our ancestors in the remotest ages. Some
private individual--a Pentagon whose name is variously reported--having
casually discovered the constituents of the simpler colours and a
rudimentary method of painting, is said to have begun decorating first
his house, then his slaves, then his Father, his Sons, and Grandsons,
lastly himself. The convenience as well as the beauty of the results
commended themselves to all. Wherever Chromatistes,--for by that
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