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ou will go into a private hell of your own, Terri Mac. You will tell the story of your own evil to that girl over and over again, pleading to be believed. And they will not believe you. And in the end they will kill you, just to be on the safe side. Because, you see, you _might_ have been doing something traitorous in these two shielded hours." Terri's head bobbed limply, like a drunken man's. He made one last effort. "Why?" he said. "Why do you do this? Your life. For a girl who was no connection to you?" The old man folded his hands. "I was a little like your governor," he said. "We all have our sins. I loved Kilaren and the shock of her death wrecked my health." He cocked his head suddenly on one side. "Listen," he said. From beyond the closed door of the room, a high-pitched humming was barely audible. It grew in volume, going up the scale. Terri leaped to his feet; and for the space of a couple of seconds, he lunged first this way then that, like a wild animal beating against its trap. Then, as if all will had at last gone out of him, he stopped in the middle of the room and closed his eyes. For a fraction of a moment he stood there, before a faint convulsion seized him and he fell. With a faint smile on his face, the old man reached out to a hidden switch and cut the shield about the room. Uniformed guards tumbled through the door, to pull up in dismay at the sight of the body on the floor. "I'm sorry," said the old man, "I must have turned the shield on by mistake. I was trying to signal someone. The Comptroller seems to have had a heart attack." THE END * * * * * End of Project Gutenberg's No Shield from the Dead, by Gordon Rupert Dickson *** END OF THIS PROJECT GUTENBERG EBOOK NO SHIELD FROM THE DEAD *** ***** This file should be named 32410.txt or 32410.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/4/1/32410/ Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set
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