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rise any one who knew the pair when, a year later, they separated for ever. The scandals and discussions connected with this event are fortunately foreign to our subject here. The only important result of the matter for literature is that Byron (upon whom public opinion in one of its sudden fits of virtuous versatility threw even more of the blame than was probably just) left the country and journeyed leisurely, in the company of Mr. and Mrs. Shelley for the most part, to Venice. He never returned alive to England; and Venice, Ravenna, Pisa, and Genoa were successively his headquarters till 1823. Then the Greek Insurrection attracted him, he raised what money he could, set out for Greece, showed in the distracted counsels of the insurgents much more practical and untheatrical heroism than he had hitherto been credited with, and died of fever at Missolonghi on the 19th of April 1824. His body was brought home to England and buried in the parish church of Hucknall Torkard, near Newstead Abbey, his Nottinghamshire seat, which, however, he had sold some time before. The best of Byron's poems by far date from this latter period of his life: the later cantos of _Childe Harold_, the beautiful short poems of _The Dream_ and _Darkness_, many pieces in dramatic form (the chief of which are _Manfred_, _Cain_, _Marino Faliero_, and _Sardanapalus_), _Mazeppa_, a piece more in his earlier style but greatly superior to his earlier work, a short burlesque poem _Beppo_, and an immense and at his death unfinished narrative satire entitled _Don Juan_. Although opinions about Byron differ very much, there is one point about him which does not admit of difference of opinion. No English poet, perhaps no English writer except Scott (or rather "The Author of Waverley"), has ever equalled him in popularity at home; and no English writer, with Richardson and Scott again as seconds, and those not very close ones, has equalled him in contemporary popularity abroad. The vogue of Byron in England, though overpowering for the moment, was even at its height resisted by some good judges and more strait-laced moralists; and it ebbed, if not as rapidly as it flowed, with a much more enduring movement. But abroad he simply took possession of the Continent of Europe and kept it. He was one of the dominant influences and determining causes of the French Romantic movement; in Germany, though the failure of literary talent and activity of the first order i
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