639. B. 99
167, I. JAN UYTENBOGAERT, RECEIVER-GENERAL (THE "GOLD-WEIGHER"). 1639.
B-281. First state, the face only lightly indicated
168, I. REMBRANDT LEANING ON A STONE SILL. 1639. B. 21 From an impression
touched by the artist in black chalk
172. THE TRIUMPH OF MORDECAI. (1640, or later.) B. 40
175. SMALL GREY LANDSCAPE. (1640.) B. 207. 196. SICK WOMAN WITH LARGE
WHITE HEAD-DRESS (SASKIA). (1642.) B. 359
176, II. VIEW OF AMSTERDAM. (1640.) B. 210
179. THE WINDMILL. 1641. B. 233
184. THE SPANISH GIPSY. (1641.) B. 120
198, I. THE RAISING OF LAZARUS. 1642. B. 72
205. THE THREE TREES. (1643.) B. 212
209, I. SIX'S BRIDGE. 1645. B. 208
215. CHRIST CARRIED TO THE TOMB. (1645.) B. 84
216. THE REST ON THE FLIGHT: LIGHTLY ETCHED. 1645. B. 58
228, II. JAN SIX. 1647. B. 285
229, I. REMBRANDT DRAWING AT A WINDOW. 1648. B. 22. Unfinished state.
231, I. THE ARTIST DRAWING FROM A MODEL, (1648, or later?) B. 192.
Unfinished plate
232, I. ST. JEROME BESIDE A POLLARD WILLOW. 1648. B. 103
234, I. JEWS IN SYNAGOGUE. 1648. B. 126
236, I. CHRIST, WITH THE SICK AROUND HIM, RECEIVING LITTLE CHILDREN (The
"Hundred Guilder Print"). (1649.) B. 74. First state, before adding
shading on the neck of the ass, _r._ Only nine impressions of this state
are known, two being in the British Museum
239, I. CANAL WITH A LARGE BOAT AND BRIDGE. 1650. B. 236
242, I. LANDSCAPE WITH A MILKMAN. (1650.) B. 213
244, III. LANDSCAPE WITH TREES, FARM BUILDINGS AND A TOWER. (1650.) B.
223. The two earlier states show the tower surmounted by a. cupola, which
was burnished out to increase the concentration of the subject
249. THE GOLDWEIGHER'S FIELD. 1651. B. 234
251, I. CLEMENT DE JONGHE, PRINTSELLER. 1651. B. 272
252. THE BLINDNESS OF TOBIT: THE LARGER PLATE. 1651. B. 42
254. THE STAR OF THE KINGS: A NIGHT PIECE. (1652.) B. 113
256. CHRIST PREACHING ("LA PETITE TOMBE"). 1652 B. 67
257, I. CHRIST DISPUTING WITH THE DOCTORS; A SKETCH. 1652. B. 65
261. TITUS VAN RYN, REMBRANDT'S SON. (1656.) B. 11
264. LANDSCAPE WITH A ROAD BESIDE A CANAL. 1652. B. 221
267, I. ST. JEROME READING, IN AN ITALIAN LANDSCAPE. (1653.) B. 104
270, I. THE THREE CROSSES. 1653. B. 78. First state
270, IV. THE THREE CROSSES. 1653. B. 78. Fourth state. The plate entirely
transformed: ihe figures in the middle and foreground, _l._, almost
entirely effaced; a new group added _l._ of the central cross,
271, I. CHRIST PRESENTED TO THE PEOPLE. 1655. B 76. First state
271, V. CHRIST PRESE