AP. (1631.) B. 2]
57. REMBRANDT WEARING A SOFT CAP. (1631.) B. 2
[97, I. THE RAT-KILLER. 1632. B. 121]
97, I. THE RAT-KILLER. 1632. B. 121
[110, I. REMBRANDT WITH PLUMED HAT, AND SABRE. 1634. B. 23. This plate was
afterwards cut down to a bust in an oval.]
110, I. REMBRANDT WITH PLUMED HAT, AND SABRE. 1634. B. 23. This plate was
afterwards cut down to a bust in an oval.
[112. REMBRANDT'S WIFE, SASKIA, WITH PEARLS IN HER HAIR. 1634. B. 347]
112. REMBRANDT'S WIFE, SASKIA, WITH PEARLS IN HER HAIR. 1634. B. 347
[127, I. THE GREAT JEWISH BRIDE. 1635. B. 340. Unfinished state]
127, I. THE GREAT JEWISH BRIDE. 1635. B. 340. Unfinished state
[129. OLD WOMAN SLEEPING. (1635-7.) B. 350.]
129. OLD WOMAN SLEEPING. (1635-7.) B. 350.
[147. THE RETURN OF THE PRODIGAL SON. 1636. B. 91]
147. THE RETURN OF THE PRODIGAL SON. 1636. B. 91
[151, II. YOUNG MAN IN A VELVET CAP, WITH BOOKS BESIDE HIM. 1637. B. 268]
151, II. YOUNG MAN IN A VELVET CAP, WITH BOOKS BESIDE HIM. 1637. B. 268
[153, I. THREE HEADS OF WOMEN. (1637.) B. 367. First state, with one head
(portrait of Saskia) only]
153, I. THREE HEADS OF WOMEN. (1637.) B. 367. First state, with one head
(portrait of Saskia) only
[161, I. THE DEATH OF THE VIRGIN. 1639. B. 99]
161, I. THE DEATH OF THE VIRGIN. 1639. B. 99
[167, I. JAN UYTENBOGAERT, RECEIVER-GENERAL (THE "GOLD-WEIGHER"). 1639.
B-281. First state, the face only lightly indicated]
167, I. JAN UYTENBOGAERT, RECEIVER-GENERAL (THE "GOLD-WEIGHER"). 1639.
B-281. First state, the face only lightly indicated
[168, I. REMBRANDT LEANING ON A STONE SILL. 1639. B. 21 From an
impression touched by the artist in black chalk]
168, I. REMBRANDT LEANING ON A STONE SILL. 1639. B. 21 From an impression
touched by the artist in black chalk
[172. THE TRIUMPH OF MORDECAI. (1640, or later.) B. 40]
172. THE TRIUMPH OF MORDECAI. (1640, or later.) B. 40
[175. SMALL GREY LANDSCAPE. (1640.) B. 207. 196. SICK WOMAN WITH LARGE
WHITE HEAD-DRESS (SASKIA). (1642.) B. 359]
175. SMALL GREY LANDSCAPE. (1640.) B. 207. 196. SICK WOMAN WITH LARGE
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