FREE BOOKS

Author's List




PREV.   NEXT  
|<   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154  
155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   >>   >|  
Nor were even the supernatural powers of evil exempt from this species of satire. For with whatever hatred or horror the evil angels were regarded, it was one of the conditions of Christianity that they should also be looked upon as vanquished; and this not merely in their great combat with the King of Saints, but in daily and hourly combats with the weakest of His servants. In proportion to the narrowness of the powers of abstract conception in the workman, the nobleness of the idea of spiritual nature diminished, and the traditions of the encounters of men with fiends in daily temptations were imagined with less terrific circumstances, until the agencies which in such warfare were almost always represented as vanquished with disgrace, became, at last, as much the objects of contempt as of terror. The superstitions which represented the devil as assuming various contemptible forms of disguises in order to accomplish his purposes aided this gradual degradation of conception, and directed the study of the workman to the most strange and ugly conditions of animal form, until at last, even in the most serious subjects, the fiends are oftener ludicrous than terrible. Nor, indeed, is this altogether avoidable, for it is not possible to express intense wickedness without some condition of degradation. Malice, subtlety, and pride, in their extreme, cannot be written upon noble forms; and I am aware of no effort to represent the Satanic mind in the angelic form, which has succeeded in painting. Milton succeeds only because he separately describes the movements of the mind, and therefore leaves himself at liberty to make the form heroic; but that form is never distinct enough to be painted. Dante, who will not leave even external forms obscure, degrades them before he can feel them to be demoniacal; so also John Bunyan: both of them, I think, having firmer faith than Milton's in their own creations, and deeper insight into the nature of sin. Milton makes his fiends too noble, and misses the foulness, inconstancy, and fury of wickedness. His Satan possesses some virtues, not the less virtues for being applied to evil purpose. Courage, resolution, patience, deliberation in council, this latter being eminently a wise and holy character, as opposed to the "Insania" of excessive sin: and all this, if not a shallow and false, is a smooth and artistical, conception. On the other hand, I have always felt that there was a peculiar grande
PREV.   NEXT  
|<   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154  
155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   >>   >|  



Top keywords:
Milton
 

fiends

 

conception

 
virtues
 

nature

 

workman

 

wickedness

 

represented

 

degradation

 

powers


vanquished

 
conditions
 

obscure

 
external
 
degrades
 

demoniacal

 

firmer

 

Bunyan

 

species

 

separately


describes

 

succeeds

 

succeeded

 

painting

 

satire

 
movements
 

distinct

 

painted

 

heroic

 

leaves


liberty

 

insight

 
excessive
 

shallow

 

Insania

 

opposed

 

eminently

 

character

 

smooth

 

peculiar


grande
 
artistical
 

council

 

misses

 

foulness

 
exempt
 

creations

 
deeper
 
angelic
 

inconstancy