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every season of the year, and even on a winter's afternoon the air often shimmers with the heat haze, so that in no place on earth is the use of an umbrella so necessary or desirable as at Pompeii. What an ideal spot for the founding of a city! That is our first impression, as we glance across the broad sunlit enclosure on to the empurpled slopes of Vesuvius rising grandly above the broken columns of the great temple of the Capitoline Jove; behind us, we know, is the azure Bay with Capri and the Sorrentine cape lying on its unruffled bosom, so that we stand between sea and mountain to north and south, whilst we have the luxuriant slopes of Vesuvius to westward, and to the east the rich valley of the Sarno, thickly dotted with groves and hamlets. One element alone is wanting in the glorious scene before us--Life; it will be our duty and pleasure to re-invest as far as possible this empty space before us with the semblance of the busy crowds that once flitted in and out of its colonnades and porticoes; to rebuild in imagination its shapeless ruins, so that we may obtain a fleeting picture of the Pompeian Forum in early Imperial days. [Illustration: THE FORUM, POMPEII] Conceive, then, in front of us, instead of this long bare stretch flanked by broken walls and strewn with shapeless fragments of brick and stone, an immense double arcade, two stories in height, affording ample protection against sun or rain and enclosing an oblong pavement whereon are set numerous statues of emperors or private citizens, occupying lofty positions of honour above the heads of the surging throng below. Imagine that group of shattered pillars, which obstructs our full view of the distant cone of Vesuvius, transformed into an imposing temple, covered with polychrome decoration, not in the best of taste according to our modern ideas of art, but gorgeous and cheerful in the clear atmosphere of the south. Rebuild, in the mind's eye, the Basilica and the temple of Apollo on the left, and straight before us, as we look forward from our coign of vantage at the narrow southern end of the colonnade, let us plant the three dominant statues of Augustus, Claudius and Agrippina to form our foreground. If we can construct by stress of fancy some such setting of classical architecture, gay with primary colours and gilding and graceful in design, it is easier to people the Pompeian Forum with the masses of humanity that once mingled here. For we have t
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