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of cruelty and stupidity that crops out everywhere in his work. I have never found any trace of influence of the other three. To be sure there are a few early sketches in the manner of Poe, but in respect to form he is much more in the purely chaotic tradition of the picaresque novel he despises than in that of the American theorist. Baroja's most important work lies in the four series of novels of the Spanish life he lived, in Madrid, in the provincial towns where he practiced medicine, and in the Basque country where he had been brought up. The foundation of these was laid by _El Arbol de la Ciencia_ ("The Tree of Knowledge"), a novel half autobiographical describing the life and death of a doctor, giving a picture of existence in Madrid and then in two Spanish provincial towns. Its tremendously vivid painting of inertia and the deadening under its weight of intellectual effort made a very profound impression in Spain. Two novels about the anarchist movement followed it, _La Dama Errante_, which describes the state of mind of forward-looking Spaniards at the time of the famous anarchist attempt on the lives of the king and queen the day of their marriage, and _La Ciudad de la Niebla_, about the Spanish colony in London. Then came the series called _La Busca_ ("The Search"), which to me is Baroja's best work, and one of the most interesting things published in Europe in the last decade. It deals with the lowest and most miserable life in Madrid and is written with a cold acidity which Maupassant would have envied and is permeated by a human vividness that I do not think Maupassant could have achieved. All three novels, _La Busca_, _Mala Hierba_, and _Aurora Roja_, deal with the drifting of a typical uneducated Spanish boy, son of a maid of all work in a boarding house, through different strata of Madrid life. They give a sense of unadorned reality very rare in any literature, and besides their power as novels are immensely interesting as sheer natural history. The type of the _golfo_ is a literary discovery comparable with that of Sancho Panza by Cervantes. Nothing that Baroja has written since is quite on the same level. The series _El Pasado_ ("The Past") gives interesting pictures of provincial life. _Las Inquietudes de Shanti Andia_ ("The Anxieties of Shanti Andia"), a story of Basque seamen which contains a charming picture of a childhood in a seaside village in Guipuzcoa, delightful as it is to read, is too
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