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ve had plates in the bath for several hours, and some of my artist acquaintances whom I have consulted on the point, have confirmed my experience. Possibly the phenomenon described by M. Lalanne may be caused by impurities in the acid. [10] (p. 27.) If the reader will make use of the device for lifting the plate into and out of the bath, which I have described on p. xvii, there will be no necessity of burning his fingers. With a little precaution, and a plentiful use of benzine for washing and cleaning, the daintiest lady's hand need not suffer from etching. [11] (p. 29.) For directions for making this ground see Note 3. [12] (p. 38.) To make the varnish, or rather etching-paste, recommended in the text, a warm-water bath is not absolutely necessary. Take any small porcelain or earthenware vessel (a small gallipot is very convenient, because the etching-paste can be kept in it for use), and set it upon a metal frame, easily made of wire, so that you can introduce a spirit lamp under it. Break up a ball, or part of a ball, of ordinary etching-ground, and throw it into the pot. Heat the pot carefully, so as just to allow the ground to melt. When it has melted, add oil of lavender (worth thirty-five cents an ounce at the druggist's), drop by drop, and keep stirring the mixture with a clean glass rod. From time to time allow a drop of the mixture to fall on a cold glass or metal plate. If, on cooling, it assumes the consistency of pomatum, the paste is finished. As I have said before, this paste cannot be used with the India-rubber rollers recommended in Note 5. With these rollers the regrounding must be done with the ordinary etching-ground with the aid of heat. Warm your plate so that you can just bear to touch it with the hand, and allow some of the ground to melt on a second, unused copper plate. Also warm the roller slightly. Then proceed as M. Lalanne directs in his fifty-seventh paragraph. The slight changes in the proceeding, which grow out of the differences between cold and warm ground, are self-evident. It is hardly necessary to say that the roller can also be used for laying the first ground. _But it is of no use on any but perfectly smooth, straight plates, as it cannot penetrate into hollows._ When it is not available the dabber must be employed in the old manner. [13] (p. 39.) Some engravers prefer the dabber to the roller even for regrounding entire plates. In that case the ground is spread on
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