FREE BOOKS

Author's List




PREV.   NEXT  
|<   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128  
129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   >>   >|  
hose career was a most peculiar one. Intended for the ministry, he chose the stage instead, apparently with no talent for it, and for six or seven years, only the most unimportant of minor parts were entrusted to him. One of these was that of Lord Dundreary in "Our American Cousin." It consisted of only a few lines and Sothern accepted it under protest, but he made such a hit in it that it was amplified and became the principal part of the play. In fact, the play became, in the end, a series of monologues for Dundreary. It had some remarkable runs, one, for instance, in London, for four hundred and ninety-six consecutive nights. Sothern continued playing the part until his death. His son is undoubtedly a far greater actor, and may achieve a high and lasting fame. Associated with him in many of his later and more ambitious productions has been Julia Marlowe, undoubtedly the most finished and accomplished actress in America. She had a thorough training, having been on the stage since her twelfth year, and devoting herself closely to the study of her art. Her sincerity, too, promises much for the future. After Sothern, Otis Skinner is perhaps the most noteworthy, and after him, well, anyone of a dozen, whom it is needless to name here. It was Joseph Jefferson who remarked that "all the good actors are dead." He meant, of course, that the present seems always of little worth when compared with the past; and this is the case not only with the theatre, but in some degree with all the arts. It is especially true of the theatre, however, because the player lives only in the memories of those who saw him, and memory sees things, as it were, through a golden glow. SUMMARY BOOTH, JUNIUS BRUTUS. Born at London, May 1, 1796; first appearance, 1813; came to America, 1821; died on a Mississippi steamboat, November 30, 1852. BOOTH, EDWIN. Born at Bel Air, Maryland, November 13, 1833; first appearance, 1849; first appearance as "star," as Sir Giles Overreach, 1857; played under management of Lawrence Barrett, 1886-91, in "Hamlet"; founded "The Players' Club," 1888; died at its club-house, in New York City, June 7, 1893. FORREST, EDWIN. Born at Philadelphia, March 9, 1806; first appearance, 1820; first notable success as Othello, 1826; last appearance in March, 1871; died at Philadelphia, December 12, 1872. CUSHMAN, CHARLOTTE. Born at Boston, July 23, 1816; first appearance, 1835; played with Macready, 1842-44; in Lo
PREV.   NEXT  
|<   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128  
129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   >>   >|  



Top keywords:

appearance

 

Sothern

 
undoubtedly
 

played

 

America

 

Philadelphia

 
London
 
November
 

theatre

 
Dundreary

compared

 
Mississippi
 

steamboat

 

present

 

BRUTUS

 

memory

 

player

 
memories
 

things

 
JUNIUS

SUMMARY

 

degree

 

golden

 

Barrett

 

success

 

notable

 

Othello

 

FORREST

 

December

 
Macready

CUSHMAN
 

CHARLOTTE

 

Boston

 

Overreach

 

management

 
Maryland
 

Lawrence

 

Players

 
Hamlet
 
founded

Skinner

 

series

 

monologues

 

remarkable

 

amplified

 

principal

 

instance

 

greater

 

playing

 

ninety