FREE BOOKS

Author's List




PREV.   NEXT  
|<   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139  
140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   >>   >|  
reading of the 'Song of Songs' upon which Ewald and Renan substantially agree, the compiler of the libretto favored no controversial opinion. He simply saw in the ingenious commentaries of the learned Hebraists suggestions for a story of unconquerable love, capable of expression in the language of the Bible. "For the arrangement of incident the compiler is alone responsible. In some respects it departs widely from the original poem,--which opens, for example, in Jerusalem,--and gives only in narrative the events that occupy part one of the oratorio. "In taking a story from a canonical book of Holy Scripture, the compiler could not ignore its spiritual significance. He has, therefore, introduced a prologue suggesting the parabolic character of the drama, and an epilogue which points its moral." The characters are the Rose of Sharon, designated throughout the work as the Sulamite (soprano); a Woman (contralto); the Beloved (tenor); and Solomon (baritone); the chorus representing Officers of the Court, Princes, Nobles, Villagers, Elders, and Soldiers. The story, briefly told, is one of the power of love. The Beloved and Solomon are both in love with the Sulamite, and the king tears her from the former to be the favorite among the women of the harem. Amid all the splendors of the palace and the luxuries heaped upon her by her passionate admirer she remains true to the Beloved, is ultimately restored to him, and returns to the vineyards of Sulam. The work is divided as follows: Prologue; Part I. Separation; II. Temptation; III. Victory; IV. Reunion; V. Epilogue. The motto of the oratorio is "Love is strong as death, and unconquerable as the grave." This motto has its musical theme as well as each of the three principal characters, and they are invariably used with great skill and effect. The Woman acts the part of Narrator, and after a brief orchestral prelude she is heard declaring the meaning and spiritual significance of the story in the prologue: "We will open our mouth in a parable; We will utter dark sayings of old, Which we have heard and known, Which our fathers have told us; We will not hide them from our children, That the generation to come may know them, Who shall declare them to their children. This is a great mystery; but we speak concerning Christ and his Church." The oratorio opens in the vineyard of Sulam as the Vine-dresser
PREV.   NEXT  
|<   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139  
140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   >>   >|  



Top keywords:
Beloved
 

oratorio

 

compiler

 

significance

 

spiritual

 

Solomon

 
prologue
 

characters

 

Sulamite

 

unconquerable


children

 

remains

 

Temptation

 

ultimately

 
restored
 

admirer

 

heaped

 

musical

 

passionate

 

strong


Reunion
 

Epilogue

 

Separation

 
Prologue
 
returns
 

vineyards

 

Victory

 

divided

 

generation

 

fathers


declare

 

Church

 

vineyard

 

dresser

 

Christ

 

mystery

 

effect

 
Narrator
 

invariably

 

principal


luxuries

 

parable

 
sayings
 
orchestral
 

prelude

 

declaring

 
meaning
 

Elders

 
respects
 

departs