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another, arousing the most extraordinary enthusiasm; his progress was one continued ovation. In 1849 he went to Weimar and accepted the post of conductor at the Court Theatre. He made Weimar the musical centre of Europe. It was there that his greatest compositions were written, that the school of the music of the future was founded, and that Wagner's operas first gained an unprejudiced hearing; and it is from Weimar that his distinguished pupils, like Von Buelow, Tausig, Bendel, Bronsart, Klindworth, Winterberger, Reubke, and many others date their success. In 1859 he resigned his position, and after that time resided at Rome, Pesth, and Weimar, working for the best interests of his beloved art, and encouraging young musicians to reach the highest standards. Few men of this century have had such a powerful influence upon music, or have done so much to elevate and purify it. His most important works were the "Divina Commedia" and "Faust" symphonies, the twelve symphonic poems, the six Hungarian rhapsodies, the "Graner Mass," the "Hungarian Coronation Mass," and the oratorios "Christus" and "The Legend of the Holy Elizabeth." Besides these he wrote a large number of orchestral pieces, songs, and cantatas, and a rich and varied collection of pianoforte solos, transcriptions, and arrangements. He died July 31, 1886. The Legend of the Holy Elizabeth. The oratorio, "Legend of the Holy Elizabeth," was written in 1864, and first produced Aug. 15, 1865, upon the occasion of the twenty-fifth anniversary of the Conservatory of Pesth-Ofen. The text is by Otto Roquette, and was inspired by Moritz von Schwind's frescos at the Wartburg representing scenes in the life of the saint. A brief allusion to her history will still further elucidate the story which Liszt has treated so powerfully. She was the daughter of King Andreas II. of Hungary, and was born in 1207. At the age of four she was betrothed to Ludwig, son of the Landgrave Hermann of Thuringia, whom she married in 1220. After his death, in 1227, she was driven from the Wartburg and forced to give up the regency by her cruel and ambitious mother-in-law. After long wanderings and many privations she retired to Bamberg, where her uncle, the bishop, dwelt; but shortly afterwards her rights were restored to her. She renounced them in favor of her son, Hermann II., and died in 1231. Four years later she was canonized at Marpurg by order of Pope Gregory
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