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well betake ourselves to very solemn reflection as to whether we are, at the present moment, in our wits and senses, or not. The peculiar proficiencies of great epochs are as astonishing as the exploits of individual frenzy. The era of the Greek rhapsodists, when a body of matchless epical literature was handed down by memory from generation to generation, and a recitation of the whole "Odyssey" was not too much for a dinner-party,--the era of Periclean culture, when the Athenian populace was wont to pass whole days in the theatre, attending with unfaltering intellectual keenness and aesthetic delight to three or four long dramas, either of which would exhaust a modern audience,--the wild and vast systems of imaginary abstractions, which the Neo-Platonists, as also the German transcendentalists, so strangely devised and became enamored of,--the grotesque views of men and things, the funny universe altogether, which made up both the popular and the learned thought of the Middle Ages,--the Buddhistic Orient, with its subtile metaphysical illusions, its unreal astronomical heavens, its habits of repose and its tornadoes of passion,--such are instances of great diversities of character, which would be hardly accountable to each other on the supposition of mutual sanity. They suggest a difference of ideas, moods, habits, and capacities, which in contemporaries and associates would amply justify either party that happened to be the majority in turning all the rest into insane asylums. It is the demoniac element, the raving of some particular demon, that creates greatness either in men or nations. Power is maniacal. A mysterious fury, a heavenly inspiration, an incomprehensible and irresistible impulse, goads humanity on to achievements. Every age, every person, and every art obeys the wand of the enchanter. History moves by indirections. The first historic tendency is likely to be slightly askew; there follows then an historic triumph, then an historic eccentricity, then an historic folly, then an explosion; and then the series begins again. In the grade of folly, hard upon an explosion, lies modern literature. The characteristic mania of the last two centuries is reading and writing. Solomon discovered that much study is a weariness of the flesh; Aristophanes complained of the multitude and indignity of authors in his time; and the famed preacher, Geyler von Kaisersberg, in the age of prevalent monkery and Benedictine pl
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