ngland, and already he was straining his gaze across the Channel.
At his Court were divers and sundry English noblemen. Handel was a prime
favorite with every one in the merry company. The ladies doted on him. A
few gentlemen, possibly, were slightly jealous of his social prowess,
and yet none pooh-poohed him openly, for only a short time before he had
broken a sword in a street duel with a brother musician, and once had
thrown a basso profundo, who sang off key, through a closed window--all
this to the advantage of a passing glazier, who, being called in, was
paid his fee three times over for repairing the sash. It's an ill wind,
etc.
Handel played the harpsichord well, but the organ better. In fact, he
played the organ in such a masterly way that he had no competitor, save
a phenomenal yokel by the name of Johann Sebastian Bach. These men were
born just a month apart. Saint Cecilia used to whisper to them when they
were wee babies. For several years they lived near each other, but in
this life they never met.
Handel was an aristocrat by nature, even if not exactly so by birth,
and so had nothing to do with the modest and bucolic Bach--even going so
far, they do say, as to leave, temporarily, the City of Halle, his
native place, when a contest was suggested between them. Bach was the
supreme culminating flower of two hundred fifty years of musical
ancestors--servants to this Grand Duke or that. But in the tribe of
Handel there was not a single musical trace. George Frederick succeeded
to the art, and at it, in spite of his parents. But never mind that! He
had been offered the post as successor to Buxtehude, and Buxtehude was
the greatest organist of his time. He accepted the invitation to play
for the Buxtehude contingent. A musical jury sat on the case, and
decided to accept the young man, with the proviso that Handel (taught by
Orpheus) should take to wife the daughter of Buxtehude--this in order
that the traditions might be preserved.
Young Handel declined the proposition with thanks, declaring he was
unworthy of the honor.
Young Handel had spent two years in Italy, had visited most of the
capitals of Europe, had composed several operas and numerous songs. He
was handsome, gracious and talented. Money may use its jimmy to break
into the Upper Circles; but to Beauty, Grace and Talent that does not
shiver nor shrink, all doors fly open. And now the English noblemen
requested--nay, insisted--that Handel shoul
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