pitals, which will give the proper
breadth to each face of the abacus. The faces should curve inwards, by
one ninth of the breadth of the face, from the outside edge of the
corners of the abacus. At the bottom the capital should be of the
thickness of the top of the column omitting the conge and astragal. The
height of the abacus is one seventh of the height of the capital.
12. Omitting the height of the abacus, let the rest be divided into
three parts, of which one should be given to the lowest leaf. Let the
second leaf occupy the middle part of the height. Of the same height
should be the stalks, out of which grow leaves projected so as to
support the volutes which proceed from the stalks, and run out to the
utmost corners of the abacus; the smaller spirals between them should be
carved just under the flower which is on the abacus. The flowers on the
four sides are to be made as large as the height of the abacus. On these
principles of proportion, Corinthian capitals will be finished as they
ought to be.
There are other kinds of capitals set upon these same columns and called
by various names, but they have no peculiarities of proportion of which
we can speak, nor can we recognize from them another order of columns.
Even their very names are, as we can see, derived with some changes from
the Corinthian, the cushion-shaped, and the Doric, whose symmetrical
proportions have been thus transferred to delicate sculptures of novel
form.
CHAPTER II
THE ORNAMENTS OF THE ORDERS
1. Since the origin and invention of the orders of columns have been
described above, I think it not out of place to speak in the same way
about their ornaments, showing how these arose and from what original
elements they were devised. The upper parts of all buildings contain
timber work to which various terms are applied. And not only in its
terminology but actually in its uses it exhibits variety. The main beams
are those which are laid upon columns, pilasters, and antae; tie-beams
and rafters are found in the framing. Under the roof, if the span is
pretty large, are the crossbeams and struts; if it is of moderate
extent, only the ridgepole, with the principal rafters extending to the
outer edge of the eaves. Over the principal rafters are the purlines,
and then above these and under the roof-tiles come the common rafters,
extending so far that the walls are covered by their projection.
2. Thus each and every detail has a place,
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