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quivers under the fingers of one who knows, and her whole soul was thrilling to the wild, tumultuous music that he had called into being there. It was almost more than she could bear--this miracle that had been wrought upon her. Tots's eyes still held her own, and it was as if thereby he showed her all that was best in life. "Why not?" he said again very softly. And suddenly she realised overwhelmingly how close his lips were to her own. In that moment she also knew that greater thing which is immortal. And so she answered him at last in his own words, with a rush of passionate willingness that swept away all fear: "Why not?" As their lips met, it seemed to her that her eyes were opened for the first time in her life; and everywhere--above, around, within her--were living sparks, dazzling, wonderful, unquenchable, of the Eternal Flame. THE END * * * * * ETHEL M. DELL'S NOVELS THE LAMP IN THE DESERT The scene of this splendid story is laid in India and tells of the lamp of love that continues to shine through all sorts of tribulations to final happiness. GREATHEART The story of a cripple whose deformed body conceals a noble soul. THE HUNDREDTH CHANCE A hero who worked to win even when there was only "a hundredth chance." THE SWINDLER The story of a "bad man's" soul revealed by a woman's faith. THE TIDAL WAVE Tales of love and of women who learned to know the true from the false. THE SAFETY CURTAIN A very vivid love story of India. The volume also contains four other long stories of equal interest. The Way of an Eagle The Knave of Diamonds The Rocks of Valpre The Swindler The Keeper of the Door Bars of Iron Rosa Mundi The Top of the World The Obstacle Race ***END OF THE PROJECT GUTENBERG EBOOK THE SWINDLER AND OTHER STORIES*** ******* This file should be named 18644.txt or 18644.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/8/6/4/18644 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of
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