Underneath is a small scene of the three
Children in the Fiery Furnace; they look as if they were presenting
a vaudeville turn, being spirited in action, and very dramatic.
Below all, is a masterly panel of Jonah and the whale,--an old
favourite, frequently appearing in mediaeval art. The whale,
positively smiling and sportive, eagerly awaits his prey at the
right. Jonah is making a graceful dive from the ship, apparently
with an effort to land in the very jaws of the whale. At the
opposite side, the whale, having coughed up his victim, looks
disappointed, while Jonah, in an attitude of lassitude suggestive
of sea-sickness, reclines on a bank; an angel, with one finger
lifted as if in reproach, is hurrying towards him.

An ingenuous ivory carving of the ninth century in Carlovingian
style is a book cover on which is depicted the finding of St. Gall,
by tame bears in the wilderness. These bears, walking decorously
on their hind legs, are figured as carrying bread to the hungry
saint: one holds a long French loaf of a familiar pattern, and
the other a breakfast roll!

Bernward of Hildesheim had a branch for ivory carving in his celebrated
academy, to which allusion has been made.

Ivory drinking horns were among the most beautiful and ornate examples
of secular ivories. They were called Oliphants, because the tusks
of elephants were chiefly used in their manufacture. In 1515 the
Earl of Ormonde leaves in his will "a little white horn of ivory
garnished at both ends with gold," and in St. Paul's in the thirteenth
century, there is mention of "a great horn of ivory engraved with
beasts and birds." The Horn of Ulphas at York is an example of the
great drinking horns from which the Saxons and Danes, in early
days, drank in token of transfer of lands; as we are told by an old
chronicler, "When he gave the horn that was to convey his estate,
he filled it with wine, and went on his knees before the altar...
so that he drank it off in testimony that thereby he gave them
his lands." This horn was given by Ulphas to the Cathedral with
certain lands, a little before the Conquest, and placed by him
on the altar.

Interesting ivories are often the pastoral staves
carried by bishops. That of Otho Bishop of Hildesheim in 1260 is
inscribed in the various parts: "Persuade by the lower part; rule
by the middle; and correct by the point." These were apparently
the symbolic functions of the crozier. The French Gothic ivory
croziers a