erning the proper consecration of an artist: "If
there be artists in the monastery, let them exercise their crafts
with all humility and reverence, provided the abbot shall have
ordered them. But if any of them be proud of the skill he hath in
his craft, because he thereby seemeth to gain something for the
monastery, let him be removed from it and not exercise it again,
unless, after humbling himself, the abbot shall permit him." Craft
without graft was the keynote of mediaeval art.

King Alfred had a monastic art school at Athelney, in which he had
collected "monks of all kinds from every quarter." This accounts
for the Greek type of work turned out at this time, and very likely
for Italian influences in early British art. The king was active in
craft work himself, for Asser tells us that he "continued, during
his frequent wars, to teach his workers in gold and artificers of
all kinds."

The quaint old encyclopaedia of Bartholomew Anglicus, called, "The
Properties of Things," defines gold and silver in an original way,
according to the beliefs of this writer's day. He says of gold,
that "in the composition there is more sadness of brimstone than
of air and moisture of quicksilver, and therefore gold is more
sad and heavy than silver." Of silver he remarks, "Though silver
be white yet it maketh black lines and strakes in the body that
is scored therewith."

Marco Polo says that in the province of Carazan "the rivers yield
great quantities of washed gold, and also that which is solid, and
on the mountains they find gold in the vein, and they give one
pound of gold for six of silver."

Workers in gold or silver usually employ one of two methods--casting
or beating, combined with delicacy of finish, chasing, and polishing.
The technical processes are interestingly described by the writers
of the old treatises on divers arts. In the earliest of these, by
the monk Theophilus, in the eleventh century, we have most graphic
accounts of processes very similar to those now in use. The naive
monastic instructor, in his preface, exhorts his followers to honesty
and zeal in their good works. "Skilful in the arts let no one glorify
himself," say Theophilus, "as if received from himself, and not from
elsewhere; but let him be thankful humbly in the Lord, from whom all
things are received." He then advises the craftsman earnestly to
study the book which follows, telling him of the riches of instruction
therein to be found; "you w