tter of taste; but
the uncomfortable and ruinous disorder and dilapidation of the Italian
cottage is one of observation. The splendor of the climate requires
nothing more than shade from the sun, and occasionally shelter from a
violent storm: the outer arcade affords them both; it becomes the
nightly lounge and daily dormitory of its inhabitant, and the interior
is abandoned to filth and decay. Indolence watches the tooth of Time
with careless eye and nerveless hand. Religion, or its abuse, reduces
every individual of the population to utter inactivity three days out of
the seven; and the habits formed in the three regulate the four. Abject
poverty takes away the power, while brutish sloth weakens the will; and
the filthy habits of the Italian prevent him from suffering from the
state to which he is reduced. The shattered roofs, the dark, confused,
ragged windows, the obscure chambers, the tattered and dirty draperies,
altogether present a picture which, seen too near, is sometimes
revolting to the eye, always melancholy to the mind. Yet even this many
would not wish to be otherwise. The prosperity of nations, as of
individuals, is cold and hard-hearted, and forgetful. The dead die,
indeed, trampled down by the crowd of the living; the place thereof
shall know them no more, for that place is not in the hearts of the
survivors for whose interests they have made way. But adversity and ruin
point to the sepulcher, and it is not trodden on; to the chronicle, and
it doth not decay. Who would substitute the rush of a new nation, the
struggle of an awakening power, for the dreamy sleep of Italy's
desolation, for her sweet silence of melancholy thought, her twilight
time of everlasting memories?

36. Such, we think, are the principal distinctive attributes of the
Italian cottage. Let it not be thought that we are wasting time in the
contemplation of its beauties; even though they are of a kind which the
architect can never imitate, because he has no command over time, and no
choice of situation; and which he ought not to imitate, if he could,
because they are only locally desirable or admirable. Our object, let it
always be remembered, is not the attainment of architectural data, but
the formation of taste.

_Oct. 12, 1837_

III.

THE MOUNTAIN COTTAGE--SWITZERLAND.

37. In the three instances of the lowland cottage which have been
already considered, are included the chief peculiarities of style which
are interes