mney very common in the eastern cantons, the principle
of which we never understood. The oblique part moves on a hinge, so as
to be capable of covering the chimney like a hat; and the whole is
covered with wooden scales, like those of a fish. This chimney sometimes
comes in very well among the confused rafters of the mountain cottage,
though it is rather too remarkable to be in good taste.

77. It seems then, that out of the eighteen chimneys, which we have
noticed, though several possess character, and one or two elegance, only
two are to be found fit for imitation; and, of these, one is exclusively
a _cottage_ chimney. This is somewhat remarkable and may serve as a
proof:--

First, of what we at first asserted, that chimneys which in any way
attract notice (and if these had not, we should not have sketched them)
were seldom to be imitated; that there are few buildings which require
them to be singular, and none which can tolerate them if decorated; and
that the architect should always remember that the size and height being
by necessity fixed, the form which draws least attention is the best.

78. Secondly, that this inconspicuousness is to be obtained, not by
adhering to any model of simplicity, but by taking especial care that
the lines of the chimney are no interruption, and its color no contrast,
to those of the building to which it belongs. Thus Figs. _h_ to _m_
would be far more actually remarkable in their natural situation, if
they were more simple in their form; for they would interrupt the
character of the rich architecture by which they are surrounded. Fig.
_d_, rising as it does above an old Gothic window, would have attracted
instant attention, had it not been for the occurrence of the same lines
in it which prevail beneath it. The form of _n_ only assimilates it more
closely with the roof on which it stands. But we must not _imitate_
chimneys of this kind, for their excellence consists only in their
agreement with other details, separated from which they would be
objectionable; we can only follow the principle of the design, which
appears, from all that we have advanced, to be this: we require, in a
good chimney, _the character of the building to which it belongs
divested of all its elevation, and its prevailing lines, deprived of all
their ornament_.

79. This it is, no doubt, excessively difficult to give; and, in
consequence, there are very few cities or edifices in which the chimneys
are not obje