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The Project Gutenberg EBook of Rembrandt, by Mortimer Menpes This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Rembrandt Author: Mortimer Menpes Commentator: C. Lewis Hind Illustrator: Rembrandt Release Date: December 3, 2005 [EBook #17215] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK REMBRANDT *** Produced by Juliet Sutherland, Sigal Alon and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: PORTRAIT OF A SLAV PRINCE 1637. The Hermitage, St. Petersburg.] REMBRANDT BY MORTIMER MENPES WITH AN ESSAY ON THE LIFE AND WORK OF REMBRANDT BY C. LEWIS HIND LONDON ADAM AND CHARLES BLACK 1905 PREFACE Although I am familiar with Rembrandt's work, through photographs and black and white reproductions, I invariably experience a shock from the colour standpoint whenever I come in touch with one of his pictures. I was especially struck with that masterpiece of his at the Hermitage, called the _Slav Prince_, which, by the way, I am convinced is a portrait of himself; any one who has had the idea suggested cannot doubt it for a moment; it is Rembrandt's own face without question. The reproductions I have seen of this picture, and, in fact, of all Rembrandt's works, are so poor and so unsatisfactory that I was determined, after my visit to St. Petersburg, to devise a means by which facsimile reproductions in colour of Rembrandt's pictures could be set before the public. The black and white reproductions and the photographs I put on one side at once, because of the impossibility of suggesting colour thereby. Rembrandt has been reproduced in photograph and photogravure, and by every mechanical process imaginable, but all such reproductions are not only disappointing, but wrong. The light and shade have never been given their true value, and as for colour, it has scarcely been attempted. After many years of careful thought and consideration as to the best, or the only possible, manner of giving to those who love the master a work which should really be a genuine reproduction of his pictures, I have adapted and developed the modern process of colour printing, so as to brin
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