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as early as 1710, before he was thirty; for part of it is printed in the Tatler[188] It was inscribed to the queen, in a dedication, which, for some reason, he did not admit into his works. It tells her, that his only title to the great honour he now does himself, is the obligation which he formerly received from her royal indulgence. Of this obligation nothing is now known, unless he alluded to her being his godmother. He is said, indeed, to have been engaged at a settled stipend as a writer for the court. In Swift's Rhapsody on Poetry are these lines, speaking of the court: Whence Gay was banish'd in disgrace, Where Pope will never show his face, Where Y---- must torture his invention To flatter knaves, or lose his pension. That Y---- means Young seems clear from four other lines in the same poem: Attend, ye Popes and Youngs and Gays, And tune your harps and strew your bays; Your panegyricks here provide; You cannot err on flatt'ry's side. Yet who shall say, with certainty, that Young was a pensioner? In all modern periods of this country, have not the writers on one side been regularly called hirelings, and on the other patriots? Of the dedication, the complexion is clearly political. It speaks in the highest terms of the late peace; it gives her majesty praise, indeed, for her victories, but says, that the author is more pleased to see her rise from this lower world, soaring above the clouds, passing the first and second heavens, and leaving the fixed stars behind her; nor will he lose her there, he says, but keep her still in view through the boundless spaces on the other side of creation, in her journey towards eternal bliss, till he behold the heaven of heavens open, and angels receiving and conveying her still onward from the stretch of his imagination, which tires in her pursuit, and falls back again to earth. The queen was soon called away from this lower world, to a place where human praise or human flattery, even less general than this, are of little consequence. If Young thought the dedication contained only the praise of truth, he should not have omitted it in his works. Was he conscious of the exaggeration of party? Then he should not have written it. The poem itself is not without a glance towards politicks, notwithstanding the subject. The cry that the church was in danger, had not yet subsided. The Last Day, written by a layman, was much approved by th
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