hat," said Philips, "there are, perhaps,
nowhere in the book thirty lines together that now stand as they were
originally written."
The relation of Philips, I suppose, was true; but when all reasonable,
all credible allowance is made for this friendly revision, the author
will still retain an ample dividend of praise; for to him must always be
assigned the plan of the work, the distribution of its parts, the choice
of topicks, the train of argument, and, what is yet more, the general
predominance of philosophical judgment and poetical spirit. Correction
seldom effects more than the suppression of faults: a happy line, or a
single elegance, may, perhaps, be added; but, of a large work, the
general character must always remain; the original constitution can be
very little helped by local remedies; inherent and radical dulness will
never be much invigorated by extrinsick animation.
This poem, if he had written nothing else, would have transmitted him to
posterity among the first favourites of the English muse; but to make
verses was his transcendent pleasure, and, as he was not deterred by
censure, he was not satiated with praise.
He deviated, however, sometimes into other tracks of literature, and
condescended to entertain his readers with plain prose. When the
Spectator stopped, he considered the polite world as destitute of
entertainment; and, in concert with Mr. Hughes, who wrote every third
paper, published, three times a week, the Lay Monastery, founded on the
supposition that some literary men, whose characters are described, had
retired to a house in the country to enjoy philosophical leisure, and
resolved to instruct the publick, by communicating their disquisitions
and amusements. Whether any real persons were concealed under fictitious
names, is not known. The hero of the club is one Mr. Johnson; such a
constellation of excellence, that his character shall not be suppressed,
though there is no great genius in the design, nor skill in the
delineation.
"The first I shall name is Mr. Johnson, a gentleman that owes to nature
excellent faculties and an elevated genius, and to industry and
application many acquired accomplishments. His taste is distinguishing,
just, and delicate: his judgment clear, and his reason strong,
accompanied with an imagination full of spirit, of great compass, and
stored with refined ideas. He is a critick of the first rank; and, what
is his peculiar ornament, he is delivered from th
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