Franke has sought to show
that the P[=a]li dialect of India is in part referable to
the western districts (Kandahar), and has made out an
interesting case for his novel theory (ZDMG. xlvii. p.
595).]

* * * * *

CHAPTER III.

THE RIG VEDA. THE UPPER GODS.

The hymns of the Rig Veda may be divided into three classes, those in
which are especially lauded the older divinities, those in which
appear as most prominent the sacrificial gods, and those in which a
long-weakened polytheism is giving place to the light of a clearer
pantheism. In each category there are hymns of different age and
quality, for neither did the more ancient with the growth of new
divinities cease to be revered, nor did pantheism inhibit the formal
acknowledgment of the primitive pantheon. The cult once established
persisted, and even when, at a later time, all the gods had been
reduced to nominal fractions of the All-god, their ritualistic
individuality still was preserved. The chief reason for this lies in
the nature of these gods and in the attitude of the worshipper. No
matter how much the cult of later gods might prevail, the other gods,
who represented the daily phenomena of nature, were still visible,
awe-inspiring, divine. The firmest pantheist questioned not the
advisability of propitiating the sun-god, however much he might regard
this god as but a part of one that was greater. Belief in India was
never so philosophical that the believer did not dread the lightning,
and seek to avert it by praying to the special god that wielded it.
But active veneration in later times was extended in fact only to the
strong Powers, while the more passive divinities, although they were
kept as a matter of form in the ceremonial, yet had in reality only
tongue-worshippers.

With some few exceptions, however, it will be found impossible to say
whether any one deity belonged to the first pantheon.

The best one can do is to separate the mass of gods from those that
become the popular gods, and endeavor to learn what was the character
of each, and what were the conceptions of the poets in regard both to
his nature, and to his relations with man. A different grouping of the
gods (that indicated below) will be followed, therefore, in our
exposition.

After what has been said in the introductory chapter concerning the
necessity of distinguishing between good and bad poetry, it may be
regarded as i