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ristic, and their effect on emotional admirers of the opposite sex as great, as they are at the present day. The difference between the two ages consists in the nature of the music itself, and in the instruments through which it is respectively delivered; and in these respects the advantage is entirely with the modern world. CHAPTER XXIII THE LAST SCENE OF ALL--BURIAL AND TOMBS Whatever conceptions may have been entertained as to existence beyond the grave, there was no doubt in the Roman mind as to the claim of the dead to a proper burial and a worthy monument. It had once on a time been a matter of universal belief that the spirit which had departed from an unburied corpse could find no admittance to the company in the realms of Hades. It could not join "the majority" below. Originally no doubt the notion was simply that, as the body had not been consigned to the earth, the spirit also remained homeless above ground. Gradually this fancy shifted to the notion that, through neglect of burial, the dead man was dishonoured--he had no friends--and that his spirit was thereby disgraced and unworthy of reception by the powers beneath. It must therefore remain shivering on the near side of the river across which the grim Charon ferried the more fortunate souls. Even when the body had been decently buried, the spirit, though received into the gloomy realm, called for continued respect on the part of its friends on earth. Unless it received its periodical honours and was commemorated by a fitting sepulchre, it would meet with slights from other ghosts and would feel its position keenly. Naturally it would then do its best, by some form of haunting, to punish the living for their disregard and forgetfulness. From such considerations there arose in very ancient days in Italy, as in Greece, a great anxiety to perform scrupulously "the dues" of the defunct. Even if the body could not be found, it was obligatory to perform the obsequies and to build a cenotaph. If a stranger came across a dead body he must not pass it by without throwing at least three handfuls of dust or earth upon it and bidding it "Farewell." Though the burial customs still employed sprang from old fancies like these, we are not to suppose that such notions were in full life in the Roman world of our period. Poets might play with them, and some ignorant folk might still vaguely entertain them. The mere belief in ghosts was doubtless general, and
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