Well, okay, and
thanks kindly.
Well, there I was, all alone, but happy for Stillwell, cause I know it's
what the kid needs, and in spots like that what difference does it make?
Yank--Ruskie--Mongolian--as long as she's willing.
Then, you guys, Stillwell comes back out--wall-eyed--real
wall-eyed--like being hit but not knocked out and still walking. I know
what it is--some kind of shock. I get up and walk over and take a look
at the babe where he'd left her--and I bust out laughing. I told you
guys there was a yak in this. I laughed like a fool--it was that funny.
As much as I had time to, before Stillwell cracked. It was enough to
crack him--the little thing that pushes a guy over the edge.
He lets out a yell and screams, "For crisake! For crisake! Nothing but a
bucket of bolts! Nothing but a couple of plastic lumps--"
That was when I hit him. I had to. He was for the birds, Stillwell was.
An hour later we got relieved and a couple of medicos carried him away
strapped to a stretcher--gone like a kite.
They took the robot too, and its clothes, but they forgot the brassiere,
so I took it and I been carrying it ever since, but I'll leave it with
you guys if you want--for the coffee. Might make you think about home.
After all, like the man says, we got to keep our sense of humor.
Well, so long, you guys--and thanks.
Transcriber's Note:
This etext was produced from _Amazing Stories_ April-May 1953.
Extensive research did not uncover any evidence that the U.S.
copyright on this publication was renewed. Minor spelling and
typographical errors have been corrected without note.
End of the Project Gutenberg EBook of Belly Laugh, by Gordon Randall Garrett
*** END OF THIS PROJECT GUTENBERG EBOOK BELLY LAUGH ***
***** This file should be named 28643.txt or 28643.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/8/6/4/28643/
Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of
|