religion in terms of him. We have the materials of this story,
and we can believe them or not. But we have not got the materials to
make another story."
It is no exaggeration to say that this is the manner of M. Anatole
France in dealing with Joan of Arc. Because her miracle is incredible to
his somewhat old-fashioned materialism, he does not therefore dismiss it
and her to fairyland with Jack and the Beanstalk. He tries to invent a
real story, for which he can find no real evidence. He produces a
scientific explanation which is quite destitute of any scientific proof.
It is as if I (being entirely ignorant of botany and chemistry) said
that the beanstalk grew to the sky because nitrogen and argon got into
the subsidiary ducts of the corolla. To take the most obvious example,
the principal character in M. France's story is a person who never
existed at all. All Joan's wisdom and energy, it seems, came from a
certain priest, of whom there is not the tiniest trace in all the
multitudinous records of her life. The only foundation I can find for
this fancy is the highly undemocratic idea that a peasant girl could not
possibly have any ideas of her own. It is very hard for a freethinker to
remain democratic. The writer seems altogether to forget what is meant
by the moral atmosphere of a community. To say that Joan must have
learnt her vision of a virgin overthrowing evil from _a_ priest, is
like saying that some modern girl in London, pitying the poor, must have
learnt it from _a_ Labour Member. She would learn it where the Labour
Member learnt it--in the whole state of our society.
But that is the modern method: the method of the reverent sceptic. When
you find a life entirely incredible and incomprehensible from the
outside, you pretend that you understand the inside. As Renan, the
rationalist, could not make any sense out of Christ's most public acts,
he proceeded to make an ingenious system out of His private thoughts. As
Anatole France, on his own intellectual principle, cannot believe in
what Joan of Arc did, he professes to be her dearest friend, and to know
exactly what she meant. I cannot feel it to be a very rational manner of
writing history; and sooner or later we shall have to find some more
solid way of dealing with those spiritual phenomena with which all
history is as closely spotted and spangled as the sky is with stars.
Joan of Arc is a wild and wonderful thing enough, but she is much saner
than most
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