to
go to Alma, who is already dead, later on that night, Cyril preaches
upon the sin of Judas, with great power and passion. "I charge you, my
brothers, beware of _self-deception!_" Everard pities him; he feels that
his own eighteen years' sufferings were nothing in comparison with
Cyril's secret tortures. Suddenly the preacher stops with a low cry of
agony. He has caught Everard's eye. He wishes the cathedral would fall
and crush him. "I am not well," he says, leaving the pulpit. Everard
writes him a letter that night, saying he has long known and forgiven
all; he asks Cyril to use his own secret repentance and unspoken agony
for the spiritual help of others.
The dean receives and reads the letter at breakfast next morning. He
then shuts himself alone in his study for several hours. Then he takes
leave of his blind son and only surviving daughter--all the other
children died in infancy--and sends them away to a relative. Everard,
after waiting vainly for Cyril's answer, goes to Malbourne. He travels
in the same carriage as the judge who had sentenced him, and tells him
that he was innocent, but is unable to clear himself. Nobody recognises
him at Malbourne. He hears his case discussed at the village inn, where
he stops an hour, too much agitated to go to the rectory. "He never done
it," is the general verdict.
Then follows the pathetic meeting of Henry and Lilian. Mr. Maitland had
gradually ceased to believe in his guilt. "But I could never forgive the
man who let you suffer in his stead," he says. Lilian shudders at this.
Cyril is discussed. "Our dear Chrysostom; our golden-mouth!"
Next day, Sunday, old friends welcome Everard. He has a great reception
from the villagers. Lilian presses him to say who was the guilty man.
Mark Antony, the cat, is still alive. "Only once did Mark make a
mistake," she says, "when he ran after _that grey figure in the dusk_.
Else he never ran after any but myself and Cyril. Henry, you _know_ who
killed Ben Lee. Tell me," she sobs, "oh, tell me it was not _he!_" Henry
cannot tell her. Lilian is deeply distressed. "His burden was heavier
than mine," Henry says. He comforts her.
The same day, at morning prayer, Cyril enters the cathedral. The organ
is playing Mendelssohn's "O Lord, have mercy upon me!" The cathedral is
packed with people of all degrees, known and unknown, friends and
strangers. The thought that all these will soon know his shame turns
Cyril sick. The faces of all tho
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