ord the Count Pallavicini, near Genoa. You go wandering for hours among
hills and wooded glens, artfully contrived to leave the impression that
Nature shaped them and not man; following winding paths and coming
suddenly upon leaping cascades and rustic bridges; finding sylvan lakes
where you expected them not; loitering through battered mediaeval castles
in miniature that seem hoary with age and yet were built a dozen years
ago; meditating over ancient crumbling tombs, whose marble columns were
marred and broken purposely by the modern artist that made them;
stumbling unawares upon toy palaces, wrought of rare and costly
materials, and again upon a peasant's hut, whose dilapidated furniture
would never suggest that it was made so to order; sweeping round and
round in the midst of a forest on an enchanted wooden horse that is moved
by some invisible agency; traversing Roman roads and passing under
majestic triumphal arches; resting in quaint bowers where unseen spirits
discharge jets of water on you from every possible direction, and where
even the flowers you touch assail you with a shower; boating on a
subterranean lake among caverns and arches royally draped with clustering
stalactites, and passing out into open day upon another lake, which is
bordered with sloping banks of grass and gay with patrician barges that
swim at anchor in the shadow of a miniature marble temple that rises out
of the clear water and glasses its white statues, its rich capitals and
fluted columns in the tranquil depths. So, from marvel to marvel you
have drifted on, thinking all the time that the one last seen must be the
chiefest. And, verily, the chiefest wonder is reserved until the last,
but you do not see it until you step ashore, and passing through a
wilderness of rare flowers, collected from every corner of the earth, you
stand at the door of one more mimic temple. Right in this place the
artist taxed his genius to the utmost, and fairly opened the gates of
fairy land. You look through an unpretending pane of glass, stained
yellow--the first thing you see is a mass of quivering foliage, ten short
steps before you, in the midst of which is a ragged opening like a
gateway-a thing that is common enough in nature, and not apt to excite
suspicions of a deep human design--and above the bottom of the gateway,
project, in the most careless way! a few broad tropic leaves and
brilliant flowers. All of a sudden, through this bright, bold gatew