ender pathos, nor yet the
sublime of sweetness:--
"Her range, even in high tragedy, is limited. Her noblest aspect is when
sometimes she expresses truth in some severe shape, and rises, simple
and austere, above the mixed elements around her." Had Margaret seen her
in "Les Horaces"? One would think so.
"On the dark side, she is very great in hatred and revenge. I admired
her more in Phedre than in any other part in which I saw her. The guilty
love inspired by the hatred of a goddess was expressed with a force and
terrible naturalness that almost suffocated the beholder."
Margaret had heard much about the power which Rachel could throw into a
single look, and speaks of it as indeed magnificent. Yet she admired
most in her "the grandeur, truth, and depth of her conception of each
part, and the sustained purity with which she represented it."
In seeing other notabilities, Margaret was indeed fortunate. She went
one day to call upon Lamennais, to whom she brought a letter of
introduction. To her disappointment, she found him not alone. But the
"citizen-looking, vivacious, elderly man," whom she was at first sorry
to see with him, turned out to be the poet Beranger, and Margaret says
that she was "very happy in that little study, in presence of these two
men whose influence has been so great, so real." It was indeed a very
white stone that hit two such birds at one throw.
Margaret heard a lecture from Arago, and was not disappointed in him.
"Clear, rapid, full, and equal was this discourse, and worthy of the
master's celebrity."
The Chamber of Deputies was in those days much occupied with the Spanish
Marriage, as it was called. This was the intended betrothal of the
Queen of Spain's sister to the Duc de Montpensier, youngest son of the
then reigning King of the French, Louis Philippe. Guizot and Thiers were
both heard on this matter, but Margaret heard only M. Berryer, then
considered the most eloquent speaker of the House. His oratory appeared
to her, "indeed, very good; not logical, but plausible, with occasional
bursts of flame and showers of sparks." While admiring him, Margaret
thinks that her own country possesses public speakers of more force, and
of equal polish.
At a presentation and ball at the Tuileries Margaret was much struck
with the elegance and grace of the Parisian ladies of high society. The
Queen made the circuit of state, with the youthful Duchess, the cause of
so much disturbance, hanging
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