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ender pathos, nor yet the sublime of sweetness:-- "Her range, even in high tragedy, is limited. Her noblest aspect is when sometimes she expresses truth in some severe shape, and rises, simple and austere, above the mixed elements around her." Had Margaret seen her in "Les Horaces"? One would think so. "On the dark side, she is very great in hatred and revenge. I admired her more in Phedre than in any other part in which I saw her. The guilty love inspired by the hatred of a goddess was expressed with a force and terrible naturalness that almost suffocated the beholder." Margaret had heard much about the power which Rachel could throw into a single look, and speaks of it as indeed magnificent. Yet she admired most in her "the grandeur, truth, and depth of her conception of each part, and the sustained purity with which she represented it." In seeing other notabilities, Margaret was indeed fortunate. She went one day to call upon Lamennais, to whom she brought a letter of introduction. To her disappointment, she found him not alone. But the "citizen-looking, vivacious, elderly man," whom she was at first sorry to see with him, turned out to be the poet Beranger, and Margaret says that she was "very happy in that little study, in presence of these two men whose influence has been so great, so real." It was indeed a very white stone that hit two such birds at one throw. Margaret heard a lecture from Arago, and was not disappointed in him. "Clear, rapid, full, and equal was this discourse, and worthy of the master's celebrity." The Chamber of Deputies was in those days much occupied with the Spanish Marriage, as it was called. This was the intended betrothal of the Queen of Spain's sister to the Duc de Montpensier, youngest son of the then reigning King of the French, Louis Philippe. Guizot and Thiers were both heard on this matter, but Margaret heard only M. Berryer, then considered the most eloquent speaker of the House. His oratory appeared to her, "indeed, very good; not logical, but plausible, with occasional bursts of flame and showers of sparks." While admiring him, Margaret thinks that her own country possesses public speakers of more force, and of equal polish. At a presentation and ball at the Tuileries Margaret was much struck with the elegance and grace of the Parisian ladies of high society. The Queen made the circuit of state, with the youthful Duchess, the cause of so much disturbance, hanging
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