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t I should go and see her garden; but, though gratefully acknowledging the courteous attention, I prepared to rejoin my husband immediately, being impatient to relate to him all the particulars of the interview with which I was completely dazzled." * * * * * The Crimea is not without its memorable places. Madame de Hell refers to Parthenit, where still flourishes the great hazel under which the Prince de Ligne wrote to the modern Messalina, Catherine II.; Gaspra, the residence for some years of Madame de Krudener, the beautiful mystic and religious enthusiast who exercised so powerful an influence over the Czar Alexander; Koreis, the retreat of the Princess Galitzin, the soul of so many strange political intrigues, and afterwards one of the associates of Madame de Krudener, and the small villa on the seashore, near Delta, beneath the roof of which died, in 1823, the _soi-disant_ Countess Guacher, now known to have been none other than the notorious Madame de Lamotte, who figured in the strange romantic history of "The Diamond Necklace," and as an accomplice of Cagliostro was whipped in the Place de Greve, and branded on both shoulders with a V for _Voleuse_, Thief.[8] At Soudagh, a valley near Oulou-Ouzon, Madame de Hell visited one of the most remarkable women of her time, Mademoiselle Jacquemart, of whom a long but not wholly accurate biographical sketch appears in the Duc de Raguse's "Excursion en Crimee." Few women have had a more eccentric career. In her early years her beauty, her wit, and her talents gained her a degree of fame such as rarely attaches to one in the humble position of a governess. From the age of sixteen, when she removed from Paris to St. Petersburg, and entered upon a professional life, she enjoyed an unparalleled social distinction. Suddenly, for no reason apparent to the world at large, she retreated to the Crimea, abandoning everything in which she had hitherto delighted, and voluntarily sentencing herself to a seclusion which to her, of all women, it might have been thought, would have proved most distasteful. Seeing her in the semi-masculine costume, studying geology, painting, music, and poetry, without the shadow of a pretension, one could not help asking oneself in what mysterious drama her strange existence had been involved. Having been apprised, the day before, of Madame de Hell's intended visit, she hastened to meet her, and received her with a
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