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"testiomony" corrected to "testimony" (page 179) "Ratzival" corrected to "Ratzivil" (page 204) "embarrasment" corrected to "embarrassment" (page 220) "Mohometans" corrected to "Mahometans" (page 222) "ancesters" corrected to "ancestors" (page 231) "cf" corrected to "of" (page 238) "Other" corrected to "Others" (page 248) "treaties" corrected to "treatise" (page 254) "Spiridon" corrected to "Spiridion" (page 258) "not not" corrected to "not" (page 262) "drangement" corrected to "derangement" (page 278) "neigborhood" corrected to "neighborhood" (page 282) "d'Englebert" corrected to "d'Engelbert" (page 286) "obervations" corrected to "observations" (page 305) "of" corrected to "off" (page 326) "corpuscules" corrected to "corpuscles" (page 329) "or" corrected to "for" (page 342) "our" corrected to "out" (page 349) "childen" corrected to "children" (page 360) "her her" corrected to "her" (page 372) "abe" corrected to "able" (page 386) "or" corrected to "on" (page 390) Missing text "III." added (page 411) "permittted" corrected to "permitted" (page 412) "One" corrected to "On" (page 434) Some quotes are opened with marks but are not closed. Obvious errors have been silently closed, while those requiring interpretation have been left open. Additional spacing after some of the quotes is intentional to indicate both the end of a quotation and the beginning of a new paragraph as presented in the original text. All other spelling and punctuation is presented as in the original. End of the Project Gutenberg EBook of The Phantom World, by Augustin Calmet *** END OF THIS PROJECT GUTENBERG EBOOK THE PHANTOM WORLD *** ***** This file should be named 29412.txt or 29412.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/9/4/1/29412/ Produced by Robert Cicconetti, Stephanie Eason and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States wi
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