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The Project Gutenberg EBook of The Bow, Its History, Manufacture and Use, by Henry Saint-George This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Bow, Its History, Manufacture and Use 'The Strad' Library, No. III. Author: Henry Saint-George Release Date: June 13, 2009 [EBook #29112] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE BOW, ITS HISTORY *** Produced by Ron Swanson THE BOW, ITS HISTORY, MANUFACTURE AND USE. Printed in Great Britain by J. H. Lavender and Co., 2, Duncan Terrace, City Road, London, N.I. [Frontispiece: HENRY SAINT-GEORGE.] _"THE STRAD" LIBRARY, No. III._ THE BOW, ITS HISTORY, MANUFACTURE AND USE BY HENRY SAINT-GEORGE ILLUSTRATED BY THE AUTHOR THIRD EDITION London: HORACE MARSHALL & SON, 46, Farringdon Street, E.C.4. New York: CHARLES SCRIBNER'S SONS, 597-599, Fifth Avenue. 1922. PREFACE. It has always appeared to me a curious thing that the bow, without which the fiddle could have no being, should have received so scant attention, not alone from the community of fiddlers, but also from writers on the subject. I only know of one book in which the subject is adequately handled. Out of every twenty violinists who profess to some knowledge of the various types of Cremonese and other fiddles of repute and value, barely three will be met with who take a similar interest in the bow beyond knowing a good one, or rather one that suits their particular physique, when playing with it. They are all familiar with the names of Dodd and Tourte, but it is seldom that their knowledge extends beyond the names. As for a perception of the characteristics of bows as works of art, which is the standard of the fiddle connoisseur, it hardly has any existence outside the small circle of bow makers. Of the large number of undoubted fiddle experts now in London, but a small proportion profess to any similar knowledge of bows, and of these there are but few who can be credited with real authority in the matter. It is, therefore, with the object of bringing the bow into more general notice that this little book has been written, and, to drop into the goo
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