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The Project Gutenberg EBook of Short Stories Old and New Selected and Edited by C. Alphonso Smith This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Short Stories Old and New Author: Selected and Edited by C. Alphonso Smith Release Date: December 17, 2003 [EBook #10483] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SHORT STORIES OLD AND NEW *** Produced by Juliet Sutherland, Shon McCarley and PG Distributed Proofreaders SHORT STORIES OLD AND NEW SELECTED AND EDITED BY C. ALPHONSO SMITH EDGAR ALLAN POE PROFESSOR OF ENGLISH IN THE UNIVERSITY OF VIRGINIA, AUTHOR OF "THE AMERICAN SHORT STORY," ETC. 1916 INTRODUCTION Every short story has three parts, which may be called Setting or Background, Plot or Plan, and Characters or Character. If you are going to write a short story, as I hope you are, you will find it necessary to think through these three parts so as to relate them interestingly and naturally one to the other; and if you want to assimilate the best that is in the following stories, you will do well to approach them by the same three routes. The Setting or Background gives us the time and the place of the story with such details of custom, scenery, and dialect as time and place imply. It answers the questions _When? Where?_ The Plot tells us what happened. It gives us the incidents and events, the haps or mishaps, that are interwoven to make up the warp and woof of the story. Sometimes there is hardly any interweaving; just a plain plan or simple outline is followed, as in "The Christmas Carol" or "The Great Stone Face." We may still call the core of these two stories the Plot, if we want to, but Plan would be the more accurate. This part of the story answers the question _What_? Under the heading Characters or Character we study the personalities of the men and women who move through the story and give it unity and coherence. Sometimes, as in "The Christmas Carol" or "Markheim," one character so dominates the others that they are mere spokes in his hub or incidents in his career. But in "The Gift of the Magi," though more space is given to Della, she and Jim act from the same motive and contr
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