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band played ceaselessly and untiringly to drown the sound of the women's tears: "It's a long way to Tipperary, It's a long way to go; It's a long way to Tipperary To the dearest girl I know. "Farewell, Piccadilly, farewell, Leicester Square, It's a long, long way to Tipperary But my heart's right there." * * * * * THE END _Printed at The Chapel River Press, Kingston, Surrey._ * * * * * Transcriber's note Minor punctuation errors have been corrected without notice. The following words were spelled in two different ways and were not changed: arm-chair, armchair ball-room, ballroom over-worked, overworked A few obvious typographical errors have been corrected and are listed below. Page 11: "older women were belating" changed to "older women were debating". Page 22: "settled the had sat" changed to "settled she had sat". Page 32: "at firs thought was love" changed to "at first thought was love". Page 51: "must be ome explanation" changed to "must be some explanation". Page 53: "ushered in M Jarr.vis" changed to "ushered in Mr. Jarvis". Page 59: "talking to each other in whsipers" changed to "talking to each other in whispers" Page 81: "Half-olay out," changed to "Half-way out,". Page 107: "the crowded steeets" changed to "the crowded streets". Page 140: "ladies to go ground" changed to "ladies to go around". Page 151: "found her downstars" changed to "found her downstairs". Page 162: "s not to be believed" changed to "was not to be believed". End of the Project Gutenberg EBook of To Love, by Margaret Peterson *** END OF THIS PROJECT GUTENBERG EBOOK TO LOVE *** ***** This file should be named 26519.txt or 26519.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/5/1/26519/ Produced by David Clarke, Carla Foust and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license
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