is borne in processions; which
head was then held something very beautiful and gave a great name to its
craftsman, who died no long time after, rich and in great repute.
Maestro Cione left many disciples, and among others Forzore di Spinello
of Arezzo, who wrought every kind of chasing very well but was
particularly excellent in making scenes in silver enamelled over fire,
to which witness is borne by a mitre with most beautiful adornments in
enamel, and a very beautiful pastoral staff of silver, which are in the
Vescovado of Arezzo. The same man wrought for Cardinal Galeotto da
Pietramala many works in silver that remained after his death with the
friars of La Vernia, where he wished to be buried. There, besides the
wall that was erected in that place by Count Orlando, Lord of Chiusi, a
small town below La Vernia, the Cardinal built the church, together with
many rooms in the convent and throughout that whole place, without
putting his arms there or leaving any other memorial. A disciple of
Maestro Cione, also, was Leonardo di Ser Giovanni, a Florentine, who
wrought many works in chasing and soldering, with better design than the
others before him had shown, and in particular the altar and panel of
silver in S. Jacopo at Pistoia; in which work, besides the scenes, which
are numerous, there was much praise given to a figure in the round that
he made in the middle, representing S. James, more than one braccio in
height, and wrought with so great finish that it appears rather to have
been made by casting than by chasing. This figure is set in the midst of
the said scenes on the panel of the altar, round which is a frieze of
letters in enamel, that run thus:
AD HONOREM DEI ET SANCTI JACOBI APOSTOLI, HOC OPUS FACTUM FUIT
TEMPORE DOMINI FRANC. PAGNI DICTAE OPERAE OPERARII SUB ANNO 1371
PER ME LEONARDUM SER JO. DE FLOREN. AURIFIC.
Now, returning to Agostino and Agnolo: they had many disciples who,
after their death, wrought many works of architecture and of sculpture
in Lombardy and other parts of Italy, and among others Maestro Jacopo
Lanfrani of Venice, who founded S. Francesco of Imola and wrought the
principal door in sculpture, where he carved his name and the date,
which was the year 1343. And at Bologna, in the Church of S. Domenico,
the same Maestro Jacopo made a tomb in marble for Giovanni Andrea
Calduino, Doctor of Laws and Secretary to Pope Clement VI; and another,
also in marble and in the sa
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