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peril and excitement, because he knows no other, but chiefly because his young unsullied spirit can shed a resplendent beauty over even the wastest region in the destiny of man. Yet though a soldier, and the bravest of soldiers, he is not this alone. He feels that there are fairer scenes in life, which these scenes of havoc and distress but deform or destroy; his first acquaintance with the Princess Thekla unveils to him another world, which till then he had not dreamed of; a land of peace and serene elysian felicity, the charms of which he paints with simple and unrivalled eloquence. Max is not more daring than affectionate; he is merciful and gentle, though his training has been under tents; modest and altogether unpretending, though young and universally admired. We conceive his aspect to be thoughtful but fervid, dauntless but mild: he is the very poetry of war, the essence of a youthful hero. We should have loved him anywhere; but here, amid barren scenes of strife and danger, he is doubly dear to us. His first appearance wins our favour; his eloquence in sentiment prepares us to expect no common magnanimity in action. It is as follows: _Octavio_ and _Questenberg_ are consulting on affairs of state; _Max_ enters: he is just returned from convoying the _Princess Thekla_ and her mother, the daughter and the wife of _Friedland_, to the camp at Pilsen. ACT I. SCENE IV. MAX PICCOLOMINI, OCTAVIO PICCOLOMINI, QUESTENBERG. MAX. 'Tis he himself! My father, welcome, welcome! [_He embraces him: on turning round, he observes Questenberg, and draws coldly back._ Busied, I perceive? I will not interrupt you. OCT. How now, Max? View this stranger better! An old friend deserves regard and kindness; The Kaiser's messenger should be rever'd! MAX. [_drily_] Von Questenberg! If it is good that brings you To our head-quarters, welcome! QUEST. [_has taken his hand_] Nay, draw not Your hand away, Count Piccolomini! Not on mine own account alone I grasp it, And nothing common will I say therewith. Octavio, Max, Piccolomini! [_Taking both their hands._ Names of benignant solemn import! Never Can Austria's fortune fail while two such stars, To guide and guard her, gleam above our hosts. MAX. You play it wrong, Sir Minister! To praise, I wot, you come not hither; to blame and censure You are come. Let me be no exception. OCT. [_to Max._] He comes from Court, where every one is not So well contented with the
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