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pair of boots, an overcoat, and a silk hat. These with a change of linen, were sufficient to make my appearance respectable. I went out again, bathed in Four Mile Water, took a last look at the cemetery, and walked to Wicklow, whence I traveled by the first train to Dublin. * * * * * Some months later, at Cairo, I received a packet of Irish newspapers, and a leading article, cut from The Times, on the subject of the miracle. Father Hickey had suffered the meed of his inhospitable conduct. The committee, arriving at Four Mile Water the day after I left, had found the graveyard exactly where it formerly stood. Father Hickey, taken by surprise, had attempted to defend himself by a confused statement, which led the committee to declare finally that the miracle was a gross imposture. The Times, commenting on this after adducing a number of examples of priestly craft, remarked, "We are glad to learn that the Rev. Mr. Hickey has been permanently relieved of his duties as the parish priest of Four Mile Water by his ecclesiastical superior. It is less gratifying to have to record that it has been found possible to obtain two hundred signatures to a memorial embodying the absurd defence offered to the committee, and expressing unabated confidence in the integrity of Mr. Hickey." London, 1885. * * * * * Transcriber's Notes: Pg. 8: statute changed to statue (There was a statue of the Virgin) Pg. 10: dangenerous changed to dangerous (are dangerous for you in your present morbid state.) All other questionable or quaint spellings have been kept as in the original book. End of the Project Gutenberg EBook of The Miraculous Revenge, by Bernard Shaw *** END OF THIS PROJECT GUTENBERG EBOOK THE MIRACULOUS REVENGE *** ***** This file should be named 20336.txt or 20336.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/0/3/3/20336/ Produced by Ted Garvin, Diane Monico, and the Project Gutenberg Online Distributed Proofreading Team at http://www.pgdp.net. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyri
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