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; it enters into, echoes in, modulates and modifies all his particular emotions, and the individual poems of which they are the substance. Each work of his is a fragment of a whole--not a detached and arbitrarily severed fragment, but a unity which implies, calls for and in a profound sense creates a vaster and completely comprehensive whole His reaction to an episode has behind and within it a reaction to the universe. An overwhelming endorsement descends upon his words: he traces them as with a pencil, and straightway they are graven in stone. Thus his short poems have a weight and validity which sets them apart in kind from even the very finest work of his contemporaries. These may be perfect in and for themselves; but a short poem by Mr Hardy is often perfect in a higher sense. As the lines of a diagram may be produced in imagination to contain within themselves all space, one of Mr Hardy's most characteristic poems may expand and embrace all human experience. In it we may hear the sombre, ruthless rhythm of life itself--the dominant theme that gives individuation to the ripple of fragmentary joys and sorrows. Take 'The Broken Appointment':-- 'You did not come, And marching Time drew on, and wore me numb.-- Yet less for loss of your dear presence there Than that I thus found lacking in your make That high compassion which can overbear Reluctance for pure lovingkindness' sake Grieved I, when, as the hope-hour stroked its sum, You did not come. 'You love not me, And love alone can lend you loyalty --I know and knew it. But, unto the store Of human deeds divine in all but name, Was it not worth a little hour or more To add yet this: Once you, a woman, came To soothe a time-torn man; even though it be You love not me?' On such a seeming fragment of personal experience lies the visible endorsement of the universe. The hopes not of a lover but of humanity are crushed beneath its rhythm. The ruthlessness of the event is intensified in the motion of the poem till one can hear the even pad of destiny, and a moment comes when to a sense made eager by the strain of intense attention it seems to have been written by the destiny it records. What is the secret of poetic power like this? We do not look for it in technique, though the technique of this poem is masterly. But the technique of 'as the hope-hour stroked its sum' is of such a kind that we know as we read that
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