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The Project Gutenberg EBook of Aspects of Literature, by J. Middleton Murry This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Aspects of Literature Author: J. Middleton Murry Release Date: January 8, 2005 [EBook #14637] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ASPECTS OF LITERATURE *** Produced by Ted Garvin, Amy Cunningham and the Online Distributed Proofreading Team ASPECTS OF LITERATURE J. MIDDLETON MURRY NEW YORK: ALFRED A. KNOPF MCMXX Copyright, 1920 _Printed in Great Britain_ TO BRUCE RICHMOND TO WHOSE GENEROUS ENCOURAGEMENT I OWE SO MUCH _Preface_ Two of these essays, 'The Function of Criticism' and 'The Religion of Rousseau,' were contributed to the _Times Literary Supplement_; that on 'The Poetry of Edward Thomas' in the _Nation_; all the rest save one have appeared in the _Athenaeum_. The essays are arranged in the order in which they were written, with two exceptions. The second part of the essay on Tchehov has been placed with the first for convenience, although in order of thought it should follow the essay, 'The Cry in the Wilderness.' More important, I have placed 'The Function of Criticism' first although it was written last, because it treats of the broad problem of literary criticism, suggests a standard of values implicit elsewhere in the book, and thus to some degree affords an introduction to the remaining essays. But the degree is not great, as the critical reader will quickly discover for himself. I ask him not to indulge the temptation of convicting me out of my own mouth. I am aware that my practice is often inconsistent with my professions; and I ask the reader to remember that the professions were made after the practice and to a considerable extent as the result of it. The practice came first, and if I could reasonably expect so much of the reader I would ask him to read 'The Function of Criticism' once more when he has reached the end of the book. I make no apology for not having rewritten the essays. As a critic I enjoy nothing more than to trace the development of a writer's attitude through its various phases; I could do no less than afford my readers the
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