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The Project Gutenberg EBook of How to Write a Play, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: How to Write a Play Letters from Augier, Banville, Dennery, Dumas, Gondinet, Labiche, Legouve, Pailleron, Sardou, Zola Author: Various Editor: James Brander Matthews Release Date: April 22, 2006 [EBook #18230] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK HOW TO WRITE A PLAY *** Produced by Chuck Greif How to Write a Play CONTENTS Introduction by William Gillette Letter from Emile Augier Letter from Theodore de Banville Letter from Adolphe Dennery Letter from Alexandre Dumas Fils Letter from Edmond Gondinet Letter by Eugene Labiche Letter by Ernest Legouve Letter from Edouard Pailleron Letter from Victorien Sardou Letter from Emile Zola Notes by B.M. 1916 By Dramatic Museum of Columbia University INTRODUCTION The impression has always prevailed with me that one who might properly be classed as a genius is not precisely the person best fitted to expound rules and methods for the carrying on of his particular branch of endeavor. I have rather avoided looking the matter up for fear it might not turn out to be so after all. But doesn't it sound as if it ought to be? And isn't a superficial glance about rather confirmatory? We do not--so far as I know--find that Shakspere or Milton or Tennyson or Whitman ever gave out rules and regulations for the writing of poetry; that Michael Angelo or Raphael was addicted to formulating instructive matter as to the accomplishment of paintings and frescoes; that Thackeray or Dickens or Meredith or George Sand were known to have answered inquiries as to 'How to write a Novel'; or that Beethoven or Wagner or Chopin or Mendelsohn paused in the midst of their careers in order to tell newspaper men what they considered the true method of composing music. These fortunate people--as well as others of their time--could so easily be silent and thus avoid disclosing the fact that they could not--for the lives of them--tell about these things; but in our unhappy day even geniuses ar
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