FREE BOOKS

Author's List




PREV.   NEXT  
|<   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107  
108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   >>   >|  
and I only opened them on the Sark steamer." Then he congratulated them both. I spoke to Mr. Drake the same evening on the terrace here, foolishly hinting the feminine consolation that he was well free from a girl of Clarice's fickleness. He was in arms on the instant. One gets at truth only by experiment, and through repeated mistakes. Why except women's hearts from the same law? I give his opinion, not his words. He doesn't talk of "women's hearts." You know his trick of suggesting when it comes to talk of the feelings. I slid into a worse blunder and sympathised with him. He replied that it didn't make the difference to him which I might think. I felt as if a stream of ice-water had been turned down my back on Christmas Day. However, he went on in a sort of shame-faced style, like a schoolboy caught talking sentiment. "One owes her a debt for having cared for her, and the debt remains." He stayed out his visit and left this morning. He goes to Switzerland, and asked for your address. His is _The Bear, Grindelwald_. Write to him there; better, join him. He talks of going out to Matanga later in the year for a few months. So there's the end of the business, or rather one hopes so. I used to hope that Clarice would wake up some morning into a real woman and find herself--isn't that the phrase? I hope the reverse now; that she and her husband will philander along to the close of the chapter. But I prefer your word,--to the close of the "comedy," say. It implies something artificial. Mallinson and Clarice give me that impression,--as of Watteau figures mincing a gavotte, and made more unreal by the juxtaposition of a man. Let's hope they will never perceive the flimsiness of their pretty bows and ribbons! But I think of your one o'clock in the morning of the masquerade ball, and frankly I am afraid. I look at the three without--well, with as little prejudice as weak woman may. Mallinson, you know him--always on the artist's see-saw between exaltation and despair. Doesn't that make for shiftiness generally? Clarice I don't understand; but I incline to your idea of her as at the mercy of every momentary emotion, and the more for what has happened this week. Since her engagement she seems to have lost her fear of Stephen Drake. She has been all unexpressed sympathy. And Drake? There's the danger, I am sure--a danger not of the usual kind. Had he been unscrupulous he might have ridden roughshod over Clarice long before now. Bu
PREV.   NEXT  
|<   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107  
108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   >>   >|  



Top keywords:

Clarice

 
morning
 

hearts

 

Mallinson

 

danger

 

masquerade

 
reverse
 
phrase
 

implies

 
ribbons

pretty

 

flimsiness

 

perceive

 

juxtaposition

 

mincing

 

figures

 

prefer

 

impression

 
chapter
 

Watteau


gavotte

 

comedy

 

unreal

 

husband

 
philander
 

artificial

 
exaltation
 

Stephen

 

unexpressed

 
engagement

emotion

 

happened

 

sympathy

 

roughshod

 

ridden

 

unscrupulous

 
momentary
 

artist

 

prejudice

 

afraid


frankly

 

understand

 

incline

 

generally

 
despair
 
shiftiness
 

Grindelwald

 

suggesting

 
feelings
 

opinion