FREE BOOKS

Author's List




PREV.   NEXT  
|<   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121  
122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   >>   >|  
ind some of happy days spent under the Roman sky, and, by directing the attention of others to what they have overlooked, may open a door to a new pleasure. _Chi sa?_ The plainest Ranz des Vaches may sometimes please when the fifth symphony of Beethoven would be a bore. CHAPTER II. STREET-MUSIC IN ROME. Whoever has passed the month of December in Rome will remember to have been awakened from his morning-dreams by the gay notes of the _pifferari_ playing in the streets below, before the shrines of the Madonna and Bambino,--and the strains of one set of performers will scarcely have ceased, before the distant notes of another set of pilgrims will be heard to continue the well-known _novena_. The _pifferari_ are generally _contadini_ of the Abruzzi Mountains, who, at the season of Advent, leave their home to make a pilgrimage to Rome,-- stopping before all the wayside shrines, as they journey along, to pay their glad music of welcome to the Virgin, and the coming Messiah. Their song is called a _novena_, from its being sung for nine consecutive days,--first, for nine days previous to the Festa of the Madonna, which occurs on the 8th of December, and afterwards for the nine days preceding Christmas. The same words and music serve, however, for both celebrations. The _pifferari_ always go in couples, one playing on the _zampogna_, or bagpipe, the bass and treble accompaniment, and the other on the _piffero_, or pastoral pipe, which carries the air; and for the month before Christmas the sound of their instruments resounds through the streets of Rome, wherever there is a shrine,--whether at the corners of the streets, in the depths of the shops, down little lanes, in the centre of the Corso, in the interior courts of the palaces, or on the stairways of private houses. Their costume is extremely picturesque. On their heads they wear conical felt hats adorned with a frayed peacock's feather, or a faded band of red cords and tassels,--their bodies are clad in red waistcoats, blue jackets, and small-clothes of skin or yellowish homespun cloth,--skin sandals are bound to their feet with cords that interlace each other up the leg as far as the knee,--and over all is worn a long brown or blue cloak with a short cape, buckled closely round the neck. Sometimes, but rarely, this cloak is of a deep red with a scalloped cape. As they stand before the pictures of the Madonna, their hats placed on the ground before them, and th
PREV.   NEXT  
|<   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121  
122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   >>   >|  



Top keywords:

pifferari

 

streets

 

Madonna

 

playing

 

December

 

novena

 

Christmas

 
shrines
 

depths

 

rarely


shrine
 

corners

 

palaces

 

stairways

 
private
 
courts
 

interior

 

centre

 

Sometimes

 

accompaniment


pictures

 

piffero

 

treble

 

couples

 
zampogna
 

bagpipe

 

pastoral

 
resounds
 

houses

 

instruments


scalloped

 

carries

 

extremely

 

bodies

 

waistcoats

 

tassels

 

jackets

 

yellowish

 
homespun
 

clothes


interlace

 

ground

 

closely

 

conical

 

sandals

 

picturesque

 

buckled

 

adorned

 
feather
 

frayed