nerally, indeed, to all originality of composition; namely,
that it has a tendency to a certain degree of monotony. He who draws
upon his own resources, easily comes to an end of his wealth. Mr.
Godwin, in all his writings, dwells upon one idea or exclusive view of a
subject, aggrandises a sentiment, exaggerates a character, or pushes an
argument to extremes, and makes up by the force of style and continuity
of feeling for what he wants in variety of incident or ease of manner.
This necessary defect is observable in his best works, and is still more
so in Fleetwood and Mandeville; the one of which, compared with his more
admired performances, is mawkish, and the other morbid. Mr. Godwin is
also an essayist, an historian--in short, what is he not, that belongs
to the character of an indefatigable and accomplished author? His _Life
of Chaucer_ would have given celebrity to any man of letters possessed
of three thousand a year, with leisure to write quartos: as the legal
acuteness displayed in his _Remarks on Judge Eyre's Charge to the
Jury_ would have raised any briefless barrister to the height of his
profession. This temporary effusion did more--it gave a turn to the
trials for high treason in the year 1794, and possibly saved the lives
of twelve innocent individuals, marked out as political victims to the
Moloch of Legitimacy, which then skulked behind a British throne,
and had not yet dared to stalk forth (as it has done since) from its
lurking-place, in the face of day, to brave the opinion of the world. If
it had then glutted its maw with its intended prey (the sharpness of Mr.
Godwin's pen cut the legal cords with which it was attempted to bind
them), it might have done so sooner, and with more lasting effect. The
world do not know (and we are not sure but the intelligence may startle
Mr. Godwin himself), that he is the author of a volume of Sermons, and
of a Life of Chatham.[C]
Mr. Fawcett (an old friend and fellow-student of our author, and who
always spoke of his writings with admiration, tinctured with wonder)
used to mention a circumstance with respect to the last-mentioned work,
which may throw some light on the history and progress of Mr. Godwin's
mind. He was anxious to make his biographical account as complete as
he could, and applied for this purpose to many of his acquaintance to
furnish him with anecdotes or to suggest criticisms. Amongst others Mr.
Fawcett repeated to him what he thought a striking pas
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